Chapter 40: The Bartholomew Job, Pt. 1

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[SPEAKER_09]: Previously on Imagine Dungeons, he got Blindo, and he took our Elemental to Fiddlestad's house, Quinn, with about a legion of Bionmander, who behind him, sorry folks, nobody gets on the island.

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[SPEAKER_08]: Are they locked down the bridge?

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[SPEAKER_08]: I can get you a ride, of course if you need it.

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[SPEAKER_01]: Ooh, Dragonfly?

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[SPEAKER_09]: What are you doing once you're in this room, Danny?

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[SPEAKER_09]: Flying?

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[SPEAKER_09]: Yeah, we do.

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[SPEAKER_09]: There's stairs that have like magical beams crossing over them.

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[SPEAKER_09]: Would you call them laser beams?

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[SPEAKER_09]: I would.

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[SPEAKER_09]: And that offer you crazy.

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[SPEAKER_09]: Oh, it's a song, okay.

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[SPEAKER_08]: Okay, okay, okay, okay.

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[SPEAKER_09]: I could bring that ram shackle to wizard.

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[SPEAKER_09]: Sitting cross leg on the floor, he has a war.

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[SPEAKER_09]: What?

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[SPEAKER_02]: It is once again time for a highest.

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[SPEAKER_02]: Okay everyone, I feel like it's sort of old hat at this point.

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[SPEAKER_02]: We're getting pretty adept at just sort of like messing with my dad's shit.

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[SPEAKER_02]: I think...

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[SPEAKER_02]: Does everybody feel like they're sort of on top of the Rodani?

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[SPEAKER_02]: You feeling good?

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[SPEAKER_08]: Yep.

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[SPEAKER_02]: Okay great.

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[SPEAKER_02]: I love what you've done with face.

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[SPEAKER_02]: I think that's great.

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[SPEAKER_02]: I think that's really good.

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[SPEAKER_02]: Glenn, what are we thinking?

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[SPEAKER_03]: I feel that my experience last time we tried to steal from your dad.

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[SPEAKER_03]: When I flawlessly inhabited the character of Inspector Sheldon has prepared me for this, the role of a lifetime.

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[SPEAKER_02]: Well, it's 100% less acting from you, so I feel pretty good about that part.

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[SPEAKER_04]: And then she packs something in a pouch on her hip while she's looking at you and she goes, I got, I got my thing, so... Yeah, Glenn's gonna put one finger to the side of his nose, and just say, remember, like we talked about, right?

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[SPEAKER_03]: Not before and not after.

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[SPEAKER_02]: Arted fast, okay, that's all I got from that was just sort of aggressive and quick.

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[SPEAKER_03]: Well, sure.

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[SPEAKER_03]: Yeah, I guess we're prepared for that as well.

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[SPEAKER_02]: Excellent.

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[SPEAKER_02]: And I do love to hear that read.

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[SPEAKER_06]: Redway, you're just kidding, you're huge.

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[SPEAKER_02]: So you're sort of comfortable with the role you're fulfilling tonight, that of... She looks at her hand and in ink.

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[SPEAKER_06]: It just has muscle.

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[SPEAKER_06]: And she just points it at you and says, is that right?

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[SPEAKER_05]: Yeah, you got it right.

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[SPEAKER_05]: I have a bit of a personal errand to attend to when we're there, but other than that, yeah, missions clear.

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[SPEAKER_02]: Far be it from me to judge baggage tonight of all nights.

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[SPEAKER_02]: I mean, it's my dad's place, you know?

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[SPEAKER_02]: So, we've all got stuff.

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[SPEAKER_02]: Sue.

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[SPEAKER_01]: Yeah, I remember you used over here on a buff and roof and tumble and, uh, I got your eye catchals backs.

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[SPEAKER_01]: I'm ready.

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[SPEAKER_06]: Fiddlesteps away and like, with motions, Sue over.

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[SPEAKER_01]: Sue will walk over ya.

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[SPEAKER_02]: Listen, you don't know what it's like with those, too.

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[SPEAKER_02]: Yeah, are you good?

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[SPEAKER_04]: I think I think we'll be all right.

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[SPEAKER_02]: Do you need something tonight?

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[SPEAKER_04]: I think you look over and glint his holding his sword and I think Ridley's probably like, prop in his elbow.

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[SPEAKER_04]: Yeah, like, it's like practicing that.

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[SPEAKER_06]: Don't go for it, choke up, yeah.

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[SPEAKER_01]: You've got to do like practice dough like this on the sword I think I see we'll we'll kind of glance over and do a little half-sai half-giggle and just say

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[SPEAKER_01]: I think we got a handle and then Sue will walk over and I think this is a concentration spell but Sue's going to cast, I was only up for one minute, Nairman, so he's not going to do that yet.

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[SPEAKER_01]: I was going to cast guidance to do a little buff early.

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[SPEAKER_06]: It's more of an emotional guidance.

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[SPEAKER_01]: It's an emotional guidance.

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[SPEAKER_01]: Yes.

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[SPEAKER_01]: A little pat pat on Glenn Scholder and say,

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[SPEAKER_03]: Glenn has turned to Ridley and is like, did you know that Sword is literally S word?

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[SPEAKER_03]: And the S stands for Slice, it's the Slice word.

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[SPEAKER_03]: And that's what you'll use the sword for.

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[SPEAKER_03]: That's sort of sword knowledge that they don't tell you, unless you're a platinum library scholar, like myself.

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[SPEAKER_09]: Mm-hmm.

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[SPEAKER_09]: Yeah.

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[SPEAKER_09]: David's sort of copying the motions.

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[SPEAKER_09]: And until David puts his robotic hand on fiddle's arm, it says, you'll be in my heart.

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[SPEAKER_06]: Oh-ho-ho-ho-ho-ho-ho-ho-ho-ho-ho-ho-ho-ho-ho-ho-ho-ho-ho-ho-ho-ho-ho-ho-ho-ho-ho-ho-ho-ho-ho-ho-ho-ho-ho-ho-ho-ho-ho-ho-ho-ho-ho-ho-ho-ho-ho-ho-ho-ho-ho-ho-ho-ho-ho-ho-ho-ho-ho-ho-ho-ho-ho-ho-ho-ho-ho-ho-ho-ho-ho-ho-ho-ho-ho-ho-ho-ho-ho-ho-ho-ho-ho-ho-ho-ho-ho-ho-ho-ho-ho-ho-ho-ho-ho-ho-ho-ho-ho-ho-ho-ho-ho-ho-ho-ho-ho-ho-ho-ho-ho-ho

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[SPEAKER_06]: and about I think the lesson she's learned about leaning and being a little more vulnerable, leaning into her friends, and instead of walking out the door she's gonna turn to everybody and go.

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[SPEAKER_06]: I'm feeling pretty weird about this one.

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[SPEAKER_02]: Dad, you know, so go team, but you know, like I said, whatever baggage we're bringing here, I've got some.

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[SPEAKER_02]: I'm feeling a little anxious, but mostly it's the dad thing.

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[SPEAKER_02]: If I'm being honest, I'm pretty excited to steal.

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[SPEAKER_02]: I tend to do that, okay, I'm gonna catch some fresh air and we'll get things rolling.

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[SPEAKER_06]: And then she does step out the door and under her breath she says, I do love the smell of a heist in the evening.

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[SPEAKER_05]: From inside the building, you just hear where they say thank you for sharing.

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[SPEAKER_05]: That was big, that was actually pretty big over.

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[SPEAKER_05]: Pretty good.

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[SPEAKER_05]: Okay.

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[SPEAKER_01]: So much, you know.

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[SPEAKER_09]: Amazing.

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[SPEAKER_09]: Any last minute prep?

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[SPEAKER_09]: Ridley is going to level up, level 12.

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[SPEAKER_09]: Perfect.

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[SPEAKER_09]: Okay.

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[SPEAKER_09]: Well, we will cut to Donny Rolling a cart Down the bridge.

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[SPEAKER_09]: Fiddles lays in the cart.

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[SPEAKER_09]: Donny, would you like to explain your appearance as you approached the blockade?

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[SPEAKER_08]: Yeah, I would say Fiddles too.

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[SPEAKER_08]: Donny has chosen two.

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[SPEAKER_08]: wrap fiddles, so as to not show her face, but I think it's pretty clear that this is a cart with a limp body and it's the ass.

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[SPEAKER_08]: It gives it away.

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[SPEAKER_08]: That's what it is when you can tell.

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[SPEAKER_08]: But it's more for effect, but he's kind of rolling up and walking in a very stiff way, but I think the vampires at the front of this hideout.

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[SPEAKER_08]: What do we call it a hideout?

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[SPEAKER_08]: What would you call it?

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[SPEAKER_08]: A home, a mansion, the Lord's Manor.

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[SPEAKER_08]: The Lord's Manor.

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[SPEAKER_09]: The Lord's Manor.

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[SPEAKER_09]: But first you have to deal with the blockade of guards.

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[SPEAKER_08]: Yeah, we're walking up to the guards as well.

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[SPEAKER_08]: Thank you.

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[SPEAKER_09]: They were noticed, right?

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[SPEAKER_09]: They're on the bridge, yes.

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[SPEAKER_09]: It's the one with the by and on to who wins there, yeah?

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[SPEAKER_09]: That you saw Quinn at, yes.

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[SPEAKER_08]: Gotcha, gotcha.

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[SPEAKER_08]: So we're not even into our map yet, that we have access.

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[SPEAKER_08]: Nope, great.

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[SPEAKER_08]: So Donnie's kind of walking up, and I think maybe the fires of the war behind him are giving glimpses of his face.

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[SPEAKER_08]: He's walking really stiff.

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[SPEAKER_08]: almost robotic and gauge, I appreciate you telling me that to do disguise, use a disguise kit, I need to be kind of like the same size.

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[SPEAKER_08]: This is perfect because this happens to be the same size, but he's actually chosen a pretty ballazzy move, but to be in the appearance of an oil swarne, massive oil swarne hairstyles

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[SPEAKER_08]: It remains black, black pants, black leather.

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[SPEAKER_08]: He doesn't have a shirt on, because he has, he's looking a little more tan, a little more like he would have been in the frat, chiseled features.

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[SPEAKER_08]: He chose to be an oil sworn that has maybe already kind of gone through some battle as part of his face is ripping away and burning away to reveal cold metal.

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[SPEAKER_08]: And an eye that looks like itself is metal as well.

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[SPEAKER_07]: Yeah, dude.

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[SPEAKER_08]: And what he's done to kind of show that he comes in peace.

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[SPEAKER_08]: He recognizes who he's walking up to.

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[SPEAKER_08]: He's taken the white shirt that he had on underneath and put it in his pocket as a flag of surrender.

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[SPEAKER_08]: And he slowly walks up to the three.

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[SPEAKER_07]: And he says, I need to see your Lord.

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[SPEAKER_07]: Mm-hmm.

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[UNKNOWN]: Mm-hmm.

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[SPEAKER_01]: I knew it.

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[SPEAKER_01]: Yeah, dude.

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[SPEAKER_09]: And you're for us, or after.

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[SPEAKER_01]: Yeah, dude.

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[SPEAKER_09]: Um, Quinn at the bridge, um, hand on the palm of his sword, uh, on the back of his midnight blue Velociraptor turns to the group and is like, don't make him cool.

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[SPEAKER_09]: Let him pass fellas.

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[SPEAKER_09]: You heard what Ms. Bramblecrank said, and they part, make way for you to pass through.

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[SPEAKER_08]: Great.

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[SPEAKER_09]: On as you pass through, you see Lord Bartholomew's manner as expected to the right, and it is crawling with oil sworn guards.

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[SPEAKER_08]: Excellent.

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[SPEAKER_08]: He kind of starts to walk up to the door as if programmed to just reach his target.

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[SPEAKER_09]: Yeah, I think you, uh, the first guard by the gate just steps to the side and allows you to pass, but the two guards by the door, uh, stop you.

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[SPEAKER_09]: They stand in front of the door and, uh, the one to the left says, what is your business at the manner tonight?

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[SPEAKER_08]: I think as that individual started talking, Donnie, as this character, has kind of moved around and he's going to very gingerly in a way that it doesn't look like his muscles would normally allow and the repercussions of what's happened to his face has ever known.

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[SPEAKER_08]: Gingerly picks up this limp body, and he says, I need to see your Lord.

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[SPEAKER_08]: Till him, I have,

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[SPEAKER_08]: What used to be his daughter?

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[SPEAKER_08]: And I have the, remove the cloth a little bit from Fiddles' face to show her face as I hold her, like a baby.

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[SPEAKER_09]: We're gonna, I'm gonna ask you for your first check in our new format that we're gonna use just for the first time, for everyone listening.

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[SPEAKER_09]: Here's how it goes.

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[SPEAKER_09]: You roll two detents.

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[SPEAKER_09]: The first,

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[SPEAKER_09]: is your hope die, your second is your fear die.

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[SPEAKER_09]: But the way that this is going to be ruled is the first number that we care about is the total plus your modifier, that determines whether you pass or fail.

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[SPEAKER_09]: The second is about which of these dyes to hope or the fear dyes is higher, which determines whether it is a positive or a negative outcome.

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[SPEAKER_09]: So for example,

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[SPEAKER_09]: If it is a pass on both sides, it will be yes and a pass on the check, but a negative on the hope and fear, it's yes but a fail, but the hope wins is no and a fail and the fear wins is no but.

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[SPEAKER_01]: Love it.

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[SPEAKER_01]: Yeah.

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[SPEAKER_09]: Awesome.

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[SPEAKER_09]: Donnie, I need you to roll me two detens with your performance modifier.

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[SPEAKER_09]: Okay.

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[SPEAKER_09]: So roll the two detens and then tell me what your modifier is.

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[SPEAKER_09]: Whoa.

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[SPEAKER_08]: And my, okay.

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[SPEAKER_08]: Modifier is plus five.

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[SPEAKER_01]: What was your role?

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[SPEAKER_09]: Uh, so this is.

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[SPEAKER_09]: Woo.

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[SPEAKER_09]: If you have two matching dice, this is how we determine a crit.

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[SPEAKER_09]: Nice.

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[SPEAKER_09]: Nice.

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[SPEAKER_09]: It's like in that 20.

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[SPEAKER_09]: These two guards see Fiddles face.

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[SPEAKER_09]: And they go in and check to see if they can find a pulse.

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[SPEAKER_09]: And then Ben Lowe, and you can see, this guard on the right knows is metal.

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[SPEAKER_02]: Hmm.

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[SPEAKER_02]: It's Sniffs.

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[SPEAKER_09]: She's dead.

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[SPEAKER_09]: I learned the Lord, they turn, they pull a vile out from, they're wearing it on an necklace and put it into the door which unlocks the door and they lead you into the mansion.

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[SPEAKER_09]: As expected, you see that the grounds that this first room is crawling with nobles from gatherhold.

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[SPEAKER_09]: After doing so, I think you would observe that a hush comes upon the room when you walk in holding fiddle sticks body.

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[SPEAKER_09]: And I was to go fetch the Lord, believe there may be some obstacles that would be a challenge for you.

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[SPEAKER_09]: And this one exits, and you can hear him make a shrill whistling noise that echoes throughout the grounds.

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[SPEAKER_09]: uh... party members who are sailing up to the matter at this point okay uh... suit glint ridley yeah how is how is your rowing going probably pretty magically i would say great is there any kind of really kind of sail on this guy on this little boat it has a little sail

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[SPEAKER_04]: Yeah, I mean, I'm feeding it a steady diet of wind of gust can't trip from my hand to propel us down the field.

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[SPEAKER_04]: So I would say rowing is going not at all, we don't need it.

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[SPEAKER_04]: Hmm.

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[SPEAKER_01]: How closer, like, I think I want to say whenever we get close around the corner, like, before we are about to be in sight, I think Sue will turn to Ridley and say, all right, Ridley, you're up.

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[SPEAKER_05]: And I believe that Gidju had mentioned there's a bridge before we get to the docks.

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[SPEAKER_09]: The bridge is on the other side, so because of this channel that you're in, you can bypass the bridge.

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[SPEAKER_05]: Oh great.

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[SPEAKER_05]: Okay, so yeah, as we start to round the corner near the manner, Ridley casts Marine layer, channeling his divinity.

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[SPEAKER_05]: And as that layer of fog spreads out thick and thick and thick over the water, it should basically entirely obscure the boat from a casual observer looking down, looking down the stream.

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[SPEAKER_09]: Very good.

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[SPEAKER_09]: Can you see through this fog?

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[SPEAKER_05]: We,

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[SPEAKER_05]: can.

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[SPEAKER_05]: It obscures all of the folks with me, but because they're within five feet.

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[SPEAKER_05]: Uh-huh.

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[SPEAKER_05]: Yeah, we won't see through it.

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[SPEAKER_09]: Okay.

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[SPEAKER_04]: Then you see that I think we're going to try to coast our momentum here.

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[SPEAKER_04]: I'm going to stop the gust of winds.

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[SPEAKER_04]: We don't disperse this fog.

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[SPEAKER_09]: Very good.

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[SPEAKER_09]: Um, what you would observe is that the guards all begin moving.

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[SPEAKER_09]: One guard stays in place guarding the the rear dock of this manner.

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[SPEAKER_05]: Well, did we, yeah, would we, we, have we heard the whistle?

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[SPEAKER_05]: From the, those guards are moving.

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[SPEAKER_09]: Yes.

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[SPEAKER_09]: Yeah, I think he would have heard it.

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[SPEAKER_09]: It's pretty loud.

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[SPEAKER_05]: Hey.

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[SPEAKER_05]: Okay.

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[SPEAKER_05]: As we approach.

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[SPEAKER_05]: Gosh, guys, we said we were muscle, right?

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[SPEAKER_01]: So, some things we talked about, especially since there's only one guard now, is Sue can cast sleep, especially for going for the sneaky sneaky route.

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[SPEAKER_05]: Yep, I'm glad you said that, because I was about to eat a trident.

18:30.908 --> 18:32.288
[SPEAKER_05]: I'm not even kidding.

18:32.308 --> 18:34.529
[SPEAKER_01]: Sue's gonna stay, stay your hand.

18:35.869 --> 18:38.690
[SPEAKER_01]: And go like, ran away, ran away, we have a plan.

18:38.990 --> 18:39.791
[SPEAKER_05]: Yeah, really is.

18:39.831 --> 18:42.152
[SPEAKER_01]: Really like, now they're really loud in the fog.

18:42.532 --> 18:43.432
[SPEAKER_04]: He's loaded up.

18:45.215 --> 18:51.958
[SPEAKER_04]: Um, Glenn's just looking back and forth between the two of you like Jesse Pinkbind at the dinner table Shakey, I don't think I last of water.

18:52.598 --> 18:58.300
[SPEAKER_05]: I didn't think we were supposed to hurt him yet Yeah, no, no, no, no, I I saw a fish show we'd done hungry, but no, it's good.

18:58.460 --> 19:00.241
[SPEAKER_05]: Yep.

19:00.761 --> 19:01.181
[SPEAKER_01]: Oh Man

19:08.505 --> 19:14.767
[SPEAKER_01]: So, Gage, I know that sleep is like a hit point space to spell, right?

19:16.228 --> 19:16.488
[SPEAKER_09]: Yes.

19:16.828 --> 19:22.210
[SPEAKER_01]: Would I have a general idea how strong I need to cast and take out an individual like this?

19:22.230 --> 19:26.792
[SPEAKER_01]: Hmm, let me... Me, Mariah, does not.

19:26.872 --> 19:28.152
[SPEAKER_01]: I don't know how I don't know.

19:28.432 --> 19:29.553
[SPEAKER_09]: Me, does not know.

19:29.593 --> 19:32.034
[SPEAKER_09]: Sleep does a certain amount of dies.

19:32.114 --> 19:37.896
[SPEAKER_09]: Okay, so you get two to eight at the base level.

19:39.242 --> 19:42.893
[SPEAKER_01]: and then every extra levels in another 2-8 is another 1-200 HP.

19:44.217 --> 19:45.079
[SPEAKER_09]: Why don't we get a...

19:48.091 --> 19:52.393
[SPEAKER_09]: and insight check as you approach using our hope and fear dice.

19:52.433 --> 19:54.375
[SPEAKER_01]: All right, so that's 2d10, right?

19:55.755 --> 19:57.476
[SPEAKER_01]: That is an 8 and a 5.

19:57.516 --> 19:59.798
[SPEAKER_01]: I don't know how to tell which one came first, hold on.

20:00.318 --> 20:02.979
[SPEAKER_06]: Should we be rolling a d10 and then another d10?

20:03.800 --> 20:05.060
[SPEAKER_06]: Yes, roll it.

20:05.441 --> 20:07.782
[SPEAKER_09]: Yeah, I don't need to do it in one d10 and another one.

20:07.802 --> 20:10.043
[SPEAKER_09]: Yeah, because it might do the higher first on here.

20:10.063 --> 20:13.405
[SPEAKER_01]: OK. Ah, got an 80.

20:13.445 --> 20:13.785
[SPEAKER_01]: Nice.

20:13.985 --> 20:15.186
[SPEAKER_01]: So that's an 8 and...

20:18.362 --> 20:18.662
[SPEAKER_09]: What?

20:18.682 --> 20:19.663
[SPEAKER_09]: A five?

20:20.263 --> 20:21.043
[SPEAKER_09]: Well, okay.

20:21.063 --> 20:21.424
[SPEAKER_09]: Perfect.

20:21.644 --> 20:23.365
[SPEAKER_01]: So eight and five, still the same roll?

20:23.865 --> 20:24.025
[SPEAKER_09]: Yeah.

20:24.105 --> 20:27.307
[SPEAKER_01]: And then the modifier on insight is yes plus seven.

20:27.987 --> 20:28.327
[SPEAKER_09]: Okay.

20:28.387 --> 20:28.607
[SPEAKER_09]: So.

20:28.627 --> 20:29.268
[SPEAKER_01]: Very insightful.

20:29.668 --> 20:38.773
[SPEAKER_09]: I think seeing this, you have a pretty good idea that casting this at third level should give you a pretty good cushion for knocking this guard out.

20:42.255 --> 20:44.015
[SPEAKER_01]: All right, let me mark that.

20:45.056 --> 20:47.756
[SPEAKER_01]: So that was a yes and roll technically, right?

20:48.376 --> 20:48.676
[SPEAKER_09]: Yes.

20:48.696 --> 20:49.556
[SPEAKER_01]: Okay.

20:50.076 --> 21:09.000
[SPEAKER_09]: I will also say that you would observe a guard holding Lord Bartholomew, essentially flying him down through the front to bring him to what you assume to be where Donnie is.

21:10.240 --> 21:11.220
[SPEAKER_01]: Can I tell where they're coming from?

21:13.102 --> 21:30.959
[SPEAKER_09]: uh... they're coming from the house like they they're flying through one of the windows okay take a shortcut yes based on donnie's earlier information i think you would assume they don't want to trigger the traps yep yeah got it okay

21:32.999 --> 21:36.960
[SPEAKER_01]: All right, so Sue is going to hold up their hands.

21:37.861 --> 21:41.262
[SPEAKER_01]: I don't think we've established what this looks like.

21:41.282 --> 21:44.463
[SPEAKER_01]: I think this is the first time Sue is used sleep.

21:46.724 --> 21:51.185
[SPEAKER_01]: And so I don't think it doesn't light up or anything, because it's supposed to be like a stealth spell.

21:51.225 --> 22:01.729
[SPEAKER_01]: So I think it's just like a, it almost feels like the fog is just kind of spreading out towards this guard on the dock and Sue will cast sleep at third level.

22:03.634 --> 22:08.999
[SPEAKER_05]: and Ridley is at the ready to throw a try to, in case he doesn't sleep.

22:09.540 --> 22:09.760
[SPEAKER_05]: Great.

22:09.960 --> 22:10.280
[SPEAKER_01]: Okay.

22:11.321 --> 22:14.264
[SPEAKER_01]: It's two at the beginning and then two for every actress.

22:14.344 --> 22:16.607
[SPEAKER_01]: That's 25 on the 68.

22:17.127 --> 22:17.407
[SPEAKER_09]: Okay.

22:18.208 --> 22:19.910
[SPEAKER_09]: Um, what does it look like?

22:21.738 --> 22:33.889
[SPEAKER_01]: I think it, it doesn't look like anything other, I do think that it's pulling some of the fog with it, but I think it does feel like a cool, like, calm mist as it passes over this guard.

22:36.332 --> 22:47.382
[SPEAKER_09]: Yeah, I think you would see that some of the technology on this vampire is starting to go to sleep, like the glow coming from his eye starts to fade.

22:48.732 --> 23:17.349
[SPEAKER_01]: going to rain the rain slowly down yeah and he slumps on this statue on the dock and you can hear him start to snooze windows shutting down all right i think we'll do a little motion uh and as the boat carries us up to the dock assuming there's a place to get out from a boat we don't like jump up or anything

23:17.790 --> 23:36.958
[SPEAKER_05]: Yeah, really will very, very like he's still moving very slowly and deliberately and he's holding the fog and so trying to just stop the fog at the dock and make sure that He's just watching for any other guards that may be pacing or moving around before it kind of removing that entirely.

23:37.758 --> 23:39.999
[SPEAKER_09]: Okay.

23:40.179 --> 23:45.862
[SPEAKER_09]: I think all three of you would first recognize that this spell lasts for a minute.

23:46.863 --> 23:47.063
[SPEAKER_09]: Okay.

23:47.423 --> 23:47.543
[SPEAKER_01]: Yeah.

23:47.563 --> 23:49.364
[SPEAKER_05]: All right, we gotta move quick, y'all.

23:49.925 --> 23:51.666
[SPEAKER_03]: Are we trying to kill this guy?

23:52.026 --> 23:52.346
[SPEAKER_01]: No!

23:53.166 --> 23:53.947
[SPEAKER_03]: I can put him on a water.

23:54.487 --> 23:55.027
[SPEAKER_03]: It's a tunnel.

23:55.127 --> 23:56.608
[SPEAKER_03]: We're supposed to go to the tunnel.

23:56.908 --> 23:57.749
[SPEAKER_03]: Let's just go to the tunnel.

23:57.929 --> 24:01.551
[SPEAKER_01]: Yeah, I think we're gonna have to fit quickly and quietly to the tunnel.

24:02.411 --> 24:04.392
[SPEAKER_01]: I think we just leave him, but there's no reason to move him.

24:04.692 --> 24:13.457
[SPEAKER_05]: Yeah, there's really quickly ties our boat, but notice it, no, really does not tire, but really is going to continue to send the boat down the stream, because this guard's gonna wake up.

24:14.753 --> 24:17.794
[SPEAKER_01]: And he's going to be too embarrassed to tell all his friends that he fell asleep on the job.

24:18.134 --> 24:20.474
[SPEAKER_05]: Really dead splash water on the crotch of his pants.

24:20.494 --> 24:21.034
[SPEAKER_05]: This is real.

24:21.314 --> 24:23.035
[SPEAKER_05]: So that it looks like he peed himself.

24:23.815 --> 24:28.856
[SPEAKER_09]: And then the entire week's open is like, I need to go to the doctor.

24:29.516 --> 24:30.937
[SPEAKER_05]: I don't see you taking a no gauge.

24:30.977 --> 24:31.837
[SPEAKER_05]: Sorry, you need a second.

24:32.277 --> 24:33.037
[SPEAKER_05]: Yeah, sorry, sorry.

24:33.117 --> 24:34.237
[SPEAKER_04]: Yeah, yeah.

24:34.717 --> 24:37.438
[SPEAKER_04]: Well, you know, I kind of have this head that what the piss your pants like on.

24:37.458 --> 24:38.338
[SPEAKER_04]: Thank you for this.

24:38.378 --> 24:40.159
[SPEAKER_09]: I'll just give them like a yellow circle.

24:41.879 --> 24:48.681
[SPEAKER_05]: But then, yeah, really, very gently, will continue to, he just kind of gives the boat a push and says, Clint, give it one more.

24:49.161 --> 24:52.822
[SPEAKER_04]: Yeah, I think Clint's going to flip his hand over and just, you got what's up.

24:52.842 --> 24:54.343
[SPEAKER_04]: A little gust of wind.

24:55.583 --> 25:00.024
[SPEAKER_04]: Listen, just enough to give it some momentum to kind of clear the area of the dock.

25:00.544 --> 25:00.764
[SPEAKER_01]: All right.

25:01.365 --> 25:02.065
[SPEAKER_09]: We ski down.

25:03.725 --> 25:08.987
[SPEAKER_09]: Um, as you approach this door, you would observe that it has, um,

25:10.252 --> 25:23.721
[SPEAKER_09]: very like gothic stone etched in it, including uh, you know, there is a, there is a handle and but there's a very prominent gargoyle face on this door.

25:23.741 --> 25:25.823
[SPEAKER_04]: Are you going to be history check on this boy?

25:26.683 --> 25:27.364
[SPEAKER_09]: You sure can.

25:28.845 --> 25:31.126
[SPEAKER_04]: Is that straight up history check or are you doing hope and fear?

25:31.146 --> 25:32.187
[SPEAKER_04]: We're doing hope and fear.

25:32.708 --> 25:33.368
[SPEAKER_05]: Okay.

25:34.960 --> 25:36.181
[SPEAKER_05]: and gauge rule check.

25:36.981 --> 25:40.143
[SPEAKER_05]: Does inspiration apply to the hope and fear rule?

25:40.563 --> 25:41.004
[SPEAKER_05]: Can the S?

25:41.084 --> 25:43.105
[SPEAKER_05]: Yeah, yeah, yeah, yeah.

25:43.125 --> 25:45.907
[SPEAKER_04]: What was a seven and then a six for me?

25:46.407 --> 25:48.008
[SPEAKER_09]: And then my modifier is eight.

25:48.508 --> 25:52.391
[SPEAKER_09]: How we will do hope inspiration is will add a DA to the role.

25:52.611 --> 25:54.672
[SPEAKER_09]: So, thank you, thank you.

25:54.692 --> 25:55.613
[SPEAKER_09]: Great, great.

25:55.633 --> 25:55.793
[SPEAKER_09]: Great.

25:56.413 --> 25:58.094
[SPEAKER_09]: Total of 21 for me, perfect.

25:59.155 --> 26:01.616
[SPEAKER_09]: I think you would identify this door as,

26:04.043 --> 26:07.186
[SPEAKER_09]: pre-dating, gather hold as a civilization.

26:08.427 --> 26:10.148
[SPEAKER_09]: This has been here for a very long time.

26:11.750 --> 26:24.421
[SPEAKER_09]: I also think you would recognize that this is a magical door, but you would not have read about this specific door anywhere.

26:26.746 --> 26:34.288
[SPEAKER_04]: I would like to roll to ascertain the nature of this magic, but it may be boring if I do an archon a check with also a plus a right after this.

26:34.308 --> 26:39.249
[SPEAKER_09]: No, I think a, I think your history check would let you know that it's in in-champment magic.

26:40.009 --> 26:40.229
[SPEAKER_09]: Okay.

26:40.569 --> 26:44.650
[SPEAKER_09]: Just like a really long lasting awaken spell, essentially.

26:44.670 --> 26:44.730
[SPEAKER_09]: Oh.

26:45.990 --> 26:47.090
[SPEAKER_04]: Okay.

26:47.110 --> 26:49.711
[SPEAKER_04]: It means this gargoyle is going to come to life probably if we try to do it.

26:49.731 --> 26:50.151
[SPEAKER_03]: I talked to it.

26:50.171 --> 26:50.231
[SPEAKER_03]: Oh.

26:50.631 --> 26:50.811
[SPEAKER_04]: Yeah.

26:52.771 --> 26:54.032
[SPEAKER_03]: Nobody touched the door.

26:55.253 --> 26:57.895
[SPEAKER_03]: I think this guy might wake up if we try to touch the door.

26:59.477 --> 27:01.359
[SPEAKER_03]: I read this in an old book.

27:01.639 --> 27:04.321
[SPEAKER_03]: Do you think it's like a speak friend and enter situation?

27:05.042 --> 27:07.264
[SPEAKER_03]: Yeah, answer me these riddles three sort of shit.

27:07.985 --> 27:10.127
[SPEAKER_03]: Amigo, does that count for anything?

27:11.728 --> 27:14.211
[SPEAKER_01]: One of us always lies and one of us always tells the truth.

27:14.331 --> 27:14.831
[SPEAKER_01]: Are there two?

27:17.983 --> 27:21.545
[SPEAKER_05]: So, Ridley says the word friend in Goblin.

27:23.566 --> 27:24.147
[SPEAKER_05]: Gargoyle.

27:24.567 --> 27:25.107
[SPEAKER_05]: Gobo.

27:25.127 --> 27:27.709
[UNKNOWN]: There we are.

27:31.591 --> 27:35.433
[SPEAKER_04]: This predates gatherhold as a city.

27:35.573 --> 27:36.634
[SPEAKER_04]: Rise of civilization, right?

27:38.134 --> 27:39.195
[SPEAKER_04]: Yes, correct.

27:39.375 --> 27:42.637
[SPEAKER_04]: Do I know who was here before the halflings of gatherhold?

27:44.586 --> 27:56.412
[SPEAKER_09]: you would have known that essentially it was giants and dragons and like a primordial elves is like the original inhabitants.

27:56.793 --> 27:57.673
[SPEAKER_09]: Yeah.

27:58.334 --> 28:04.417
[SPEAKER_09]: But giants in particular were known for a little decorative magic things like this for entertainment.

28:05.540 --> 28:08.142
[SPEAKER_04]: Okay, primordial elves, Clint, has an idea.

28:08.222 --> 28:09.023
[SPEAKER_04]: I'm gonna try something.

28:09.423 --> 28:14.707
[SPEAKER_04]: I'm going to just send just enough magic through my dragon mark that it starts to glow.

28:14.847 --> 28:27.176
[SPEAKER_04]: Maybe there's just a slight wind, like the fan is on one speed, and he's gonna hold his hand up in front of him and in modern elvish, though probably trying to have a little bit of primordial elvish.

28:27.616 --> 28:33.721
[SPEAKER_04]: Just say, as heir to the storm, we'll you grant me passage.

28:35.345 --> 28:36.445
[SPEAKER_04]: this dragon mark out too.

28:37.206 --> 28:39.707
[SPEAKER_04]: It's kind of like, like, be quite, but super quiet about it.

28:42.147 --> 28:54.471
[SPEAKER_09]: The eyes of the Gargoyle open, and You see it like detach one of the stony Embroiderments as an arm, and it sort of leans its head on its arm.

28:54.551 --> 28:58.133
[SPEAKER_09]: It's as Oh, hey, I've been touched like that in a long time.

29:03.903 --> 29:12.696
[SPEAKER_09]: Lord Bartholomew has left the manor and is now standing in the front and walks into the room with Donny.

29:14.019 --> 29:19.307
[SPEAKER_08]: Donny, I think, man, Donny's loving this.

29:21.177 --> 29:37.048
[SPEAKER_08]: Danny has his back to Bartholomea when Bartholomea walks in because he's like surveying the area just like a drone just his head slowly moving back and forth and then he just goes into this extravagant story of how he stumbled upon Fiddlesticks.

29:38.869 --> 29:40.950
[SPEAKER_08]: Just loud as a projecting for everyone

29:43.811 --> 29:52.135
[SPEAKER_09]: Um, I think you get a couple words in before Lord Bartholomew's like, uh, uh, not here, sir.

29:53.015 --> 30:09.242
[SPEAKER_09]: Um, we'll have you go up to my chamber for this, um, I fear the lords and ladies of gatherhold should not be privy to this information, and uh, lords, ladies,

30:11.096 --> 30:12.277
[SPEAKER_09]: Please excuse me for a moment.

30:12.297 --> 30:24.489
[SPEAKER_09]: I know I've been quite occupied tonight, but if you continue to wait, soon, this basin in the middle will show will begin.

30:26.631 --> 30:30.194
[SPEAKER_09]: Follow me, sir, and he'll step out the front.

30:31.175 --> 30:32.376
[SPEAKER_09]: Follow him, okay?

30:33.017 --> 30:34.658
[SPEAKER_09]: The vampire from earlier.

30:35.497 --> 30:46.121
[SPEAKER_09]: We'll grab Lord Bartholomew and he'll say, yeah, just follow me up to my chamber and they will fly back onto the roof and enter through the window.

30:47.021 --> 30:47.861
[SPEAKER_09]: Where, how do I get up there?

30:50.742 --> 30:57.044
[SPEAKER_09]: As you are in disguise as one of the oil sworn, they are expecting you to fly up there.

31:01.130 --> 31:02.892
[SPEAKER_08]: Um, okay, okay, great, great, great, great.

31:03.452 --> 31:04.774
[SPEAKER_02]: Ha ha ha.

31:04.814 --> 31:05.734
[SPEAKER_08]: Very good.

31:08.317 --> 31:16.184
[SPEAKER_08]: Uh, Donnie like holding fiddle sticks looks up and kind of like looks down really quick and then looks back up.

31:16.204 --> 31:21.368
[SPEAKER_07]: He's like, I would have to use the stairs in the midst of the war.

31:21.389 --> 31:24.992
[SPEAKER_07]: I was unable to fly anymore.

31:27.000 --> 31:30.243
[SPEAKER_07]: I went from being the Air Force to the ground for us.

31:30.283 --> 31:31.163
[SPEAKER_07]: I'm sorry.

31:31.183 --> 31:38.069
[SPEAKER_07]: LAUGHTER Either the stairs or maybe two of you could pick me up.

31:39.070 --> 31:40.891
[SPEAKER_07]: Pick us up so that we can go.

31:40.911 --> 31:45.114
[SPEAKER_07]: I'm a beating bearers, but I can't come with you.

31:47.556 --> 31:49.077
[SPEAKER_09]: OK, let's get a first-oration check.

31:49.958 --> 31:50.619
[SPEAKER_06]: Oh, God.

31:52.080 --> 31:52.560
[SPEAKER_06]: I love it.

31:52.580 --> 31:53.021
[SPEAKER_06]: Oh, now.

31:54.752 --> 31:57.074
[SPEAKER_06]: I went from the air force to the ground.

31:57.875 --> 31:59.856
[SPEAKER_08]: Oh, oh, don't y'all.

31:59.916 --> 32:01.658
[SPEAKER_08]: Hope we get another one.

32:02.379 --> 32:03.660
[SPEAKER_08]: Less double them up.

32:03.980 --> 32:04.560
[SPEAKER_08]: Nope, five.

32:06.102 --> 32:08.083
[SPEAKER_08]: And then, so I got a one in a five.

32:08.544 --> 32:10.525
[SPEAKER_08]: And is it persuasion, you said?

32:10.565 --> 32:11.626
[SPEAKER_09]: It is persuasion.

32:11.666 --> 32:12.807
[SPEAKER_08]: Persuasion is plus eight.

32:13.228 --> 32:14.489
[SPEAKER_08]: So it's a 14.

32:14.629 --> 32:15.930
[SPEAKER_08]: Oh, okay.

32:16.731 --> 32:17.071
[SPEAKER_09]: Okay.

32:17.511 --> 32:17.731
[SPEAKER_09]: Um.

32:19.193 --> 32:19.353
[SPEAKER_09]: Oh.

32:20.485 --> 32:44.653
[SPEAKER_09]: The vampire nears to you, a squint's its eyes for a second, and is like, okay, well then I guess me and I'll call someone to help grab the other, um, uh, you Milton, over here, fly at Lord Bartholomew's,

32:48.472 --> 33:04.464
[SPEAKER_09]: Daughter's quips up to his chambers and they will grab the two of you and we'll fly you up to the second floor.

33:06.466 --> 33:10.689
[SPEAKER_09]: Okay, well they fly you onto the balcony where you can enter.

33:17.945 --> 33:21.649
[SPEAKER_09]: and they will allow you to pass into Lord Bartholomew study.

33:22.129 --> 33:27.234
[SPEAKER_08]: Can I quickly do an investigation for the, uh, whatever this light orb is in here?

33:27.915 --> 33:28.636
[SPEAKER_08]: You're not here.

33:28.896 --> 33:29.316
[SPEAKER_08]: I'm okay.

33:29.797 --> 33:30.558
[SPEAKER_09]: That's downstairs.

33:30.578 --> 33:34.982
[SPEAKER_08]: I just thought it was like, I did last time, like five times.

33:35.823 --> 33:39.487
[SPEAKER_09]: Um, so it's me dead fiddles.

33:40.957 --> 33:43.638
[SPEAKER_09]: and the three vampires that carried you up to this room.

33:43.998 --> 33:44.278
[SPEAKER_09]: Great.

33:45.139 --> 33:51.221
[SPEAKER_09]: And Lord Bytholomew, who's sitting at his desk, he's cleared it to give you a place to put Fiddles body.

33:51.401 --> 33:58.444
[SPEAKER_09]: And the vampire carrying Fiddles does put Fiddles body on the table.

33:59.124 --> 34:08.708
[SPEAKER_08]: Donny doesn't take his eyes off of Fiddles and he looks down recounting the scene from how he found her.

34:11.128 --> 34:16.789
[SPEAKER_08]: and he says, in the midst of the war, I saw her.

34:18.689 --> 34:23.450
[SPEAKER_07]: She navigated her way around the battlefield, like a cat out of the kyber.

34:25.251 --> 34:30.151
[SPEAKER_07]: She seemed to be on no side, but her own and yet, her side was winning.

34:30.171 --> 34:34.372
[SPEAKER_07]: There was then I knew I must do all I could to protect her.

34:35.192 --> 34:38.673
[SPEAKER_07]: There was a vampire, one of our foe,

34:39.998 --> 34:49.403
[SPEAKER_07]: week with a spell hit her across the face and took her out and with her final breath.

34:51.465 --> 34:58.028
[SPEAKER_07]: She said she wanted to see her father and I said I'm not totally sure we just met who is your father.

35:00.450 --> 35:00.990
[SPEAKER_07]: And she said

35:03.141 --> 35:04.801
[SPEAKER_07]: She said, Lord, I said, Lord, who?

35:05.962 --> 35:09.203
[SPEAKER_07]: And she said, Lord, but, and that's like, Lord, bah, what?

35:09.803 --> 35:12.904
[SPEAKER_07]: There's also many Lords around here with the bees starting names.

35:12.964 --> 35:14.444
[SPEAKER_07]: It's crazy, everyone's like that.

35:15.044 --> 35:15.745
[SPEAKER_07]: I don't know why.

35:15.765 --> 35:19.846
[SPEAKER_07]: She said, Lord, bah, to all of me.

35:20.566 --> 35:24.087
[SPEAKER_07]: And that's when I knew that somehow this was your daughter.

35:24.107 --> 35:27.488
[SPEAKER_07]: And I wanted to grant her final wish.

35:29.829 --> 35:30.869
[SPEAKER_07]: And I'm here for you today.

35:33.017 --> 35:37.679
[SPEAKER_08]: And then he like kind of like, kind of, like a bow's a little bit.

35:38.580 --> 35:45.323
[SPEAKER_08]: And he's walked up in during a story and he's like, his hand is just resting on fiddles right now.

35:46.304 --> 35:48.085
[SPEAKER_09]: Let me get a performance check from you.

35:49.265 --> 35:50.526
[SPEAKER_09]: Give them an advantage.

35:50.546 --> 35:51.806
[SPEAKER_09]: First one's a shavin.

35:51.826 --> 35:55.028
[SPEAKER_08]: You probably won't, you know what I would guess.

35:56.769 --> 35:57.990
[SPEAKER_08]: Second one's a tin.

36:00.022 --> 36:02.943
[SPEAKER_08]: plus five, so the 17 plus five is a 22.

36:03.043 --> 36:04.603
[SPEAKER_09]: Yep, very good.

36:07.624 --> 36:15.365
[SPEAKER_09]: Lord Bartholomew is pretty solemn, but nods his head and says, very well.

36:18.266 --> 36:24.827
[SPEAKER_09]: Take, I'll leave a reward for you down in the kitchens.

36:30.044 --> 36:31.145
[SPEAKER_09]: land for us now.

36:32.426 --> 36:34.848
[SPEAKER_09]: So one of my men will fly you down.

36:35.529 --> 36:41.734
[SPEAKER_09]: The kitchens are in the back of the house, and they should have something you'll like down there.

36:41.754 --> 36:49.380
[SPEAKER_08]: As he says this,

36:53.014 --> 36:56.795
[SPEAKER_09]: you hear a very quiet sound behind the door.

36:57.895 --> 37:03.317
[SPEAKER_09]: And when the vampire moves, you see that thumbs is standing in the doorway.

37:04.557 --> 37:04.657
[UNKNOWN]: Oh.

37:05.838 --> 37:07.038
[SPEAKER_09]: And hops on the table.

37:08.238 --> 37:13.100
[SPEAKER_09]: Lord Bartholomew immediately is screaming, I'm ramshackle.

37:14.860 --> 37:21.362
[SPEAKER_09]: Your pet is in here, remove it promptly.

37:22.548 --> 37:24.949
[SPEAKER_09]: and ramshackle sort of stumbles in.

37:24.989 --> 37:28.031
[SPEAKER_09]: He's still holding that large blue crystal orb.

37:29.912 --> 37:35.774
[SPEAKER_09]: And as Thumbs quickly get down, you know what guests here.

37:37.635 --> 37:44.118
[SPEAKER_09]: And Thumbs will jump down and climb onto you, Donnie, onto your shoulder.

37:47.480 --> 37:50.541
[SPEAKER_09]: Lord Bartholomew is like, I don't care how

37:52.020 --> 37:53.321
[SPEAKER_09]: The monkey gets out, get the monkey out.

37:54.081 --> 37:54.301
[SPEAKER_09]: Leave.

37:54.441 --> 37:55.702
[SPEAKER_09]: Thank you for bringing my daughter out.

37:57.043 --> 37:58.363
[SPEAKER_08]: Well, he just got thumbs on his shoulder.

37:59.324 --> 38:00.064
[SPEAKER_09]: Donnie does, yes.

38:00.084 --> 38:20.315
[SPEAKER_08]: Ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha

38:21.709 --> 38:25.111
[SPEAKER_08]: Donnie, you're not going to not react to thumbs like being on a shoulder.

38:26.871 --> 38:28.372
[SPEAKER_08]: Still like, I was trying to be in character.

38:29.392 --> 38:32.014
[SPEAKER_08]: And so, like, with thumbs on his shoulder, like, we need to start to jump on him.

38:32.054 --> 38:37.516
[SPEAKER_07]: He's just like, ah, ah, what is this on me?

38:37.656 --> 38:45.840
[SPEAKER_08]: Who, ah, why, and he's kind of like swinging around and stuff and kind of like flailing.

38:46.180 --> 38:50.422
[SPEAKER_08]: Is there a way for me to do like another like perception check up here?

38:52.624 --> 38:56.749
[SPEAKER_09]: Yeah, an investigation would be active, but what are you looking for specifically?

38:58.911 --> 38:59.552
[SPEAKER_08]: I don't know.

38:59.572 --> 39:01.874
[SPEAKER_08]: I guess I've already done this with the dragonfly, huh?

39:02.775 --> 39:03.496
[SPEAKER_08]: Yeah, who's man?

39:04.377 --> 39:06.720
[SPEAKER_08]: He's looking for clues gauge, clues for what?

39:07.601 --> 39:08.622
[SPEAKER_04]: The mystery gauge.

39:08.642 --> 39:09.222
[SPEAKER_08]: There's no clues.

39:09.242 --> 39:10.103
[SPEAKER_08]: There's no clues.

39:10.544 --> 39:11.945
[SPEAKER_04]: The game for clues, dude.

39:16.501 --> 39:23.985
[SPEAKER_08]: Then there's no clues, he's just acting like this, and I guess how does everyone react to him just flailing around with the monkey?

39:25.987 --> 39:27.668
[SPEAKER_09]: Ramshackel looks terrified.

39:27.748 --> 39:29.709
[SPEAKER_09]: He's like trying to grab thumbs from you.

39:30.569 --> 39:32.690
[SPEAKER_09]: All the other vampires are like looking away.

39:33.091 --> 39:34.271
[SPEAKER_09]: They seem embarrassed.

39:37.433 --> 39:39.354
[SPEAKER_08]: Okay.

39:40.515 --> 39:42.116
[SPEAKER_08]: And thumbs is just refusing to let go.

39:44.120 --> 39:47.261
[SPEAKER_09]: Well, once you start flailing, Thumbs is just trying to hang on.

39:47.281 --> 39:48.681
[SPEAKER_09]: Okay.

39:49.681 --> 39:49.981
[SPEAKER_04]: Okay.

39:50.581 --> 39:51.101
[SPEAKER_04]: Okay.

39:52.501 --> 39:54.402
[SPEAKER_04]: Which is easy for him, because he has 12 fingers.

39:54.622 --> 39:55.182
[SPEAKER_04]: Yeah, yeah.

39:55.202 --> 39:55.562
[SPEAKER_04]: Yeah.

39:56.622 --> 40:03.763
[SPEAKER_08]: I think, you know, in that kind of like flailing around, maybe Donnie realizes he like overacted a bit.

40:04.124 --> 40:07.224
[SPEAKER_08]: I think he's excited to see Thumbs, and so he's trying to make it really clear.

40:07.264 --> 40:08.104
[SPEAKER_08]: He's never seen this thing.

40:08.784 --> 40:11.945
[SPEAKER_08]: And so he like collects himself, and he's like, I'm sorry, Ed.

40:13.722 --> 40:22.985
[SPEAKER_07]: Just, you know, why these things can happen, not normally chimps like this, but I'm sorry.

40:23.205 --> 40:30.248
[SPEAKER_07]: You know, as fighters, I'm sure, he's like, can I pay my last respects?

40:31.268 --> 40:33.249
[SPEAKER_07]: I only had a small amount of time with her, but...

40:34.799 --> 40:36.580
[SPEAKER_07]: I just had a few things that I wanted to say.

40:36.600 --> 40:43.802
[SPEAKER_03]: Oh my god.

40:45.583 --> 40:48.024
[SPEAKER_09]: It's a hard check, but you can roll for it.

40:48.344 --> 40:49.484
[SPEAKER_09]: This is a persuasion.

40:50.485 --> 40:51.005
[SPEAKER_06]: Oh, man.

40:53.386 --> 40:55.967
[SPEAKER_06]: Do you mind if I get time with your dead daughter?

40:55.987 --> 40:59.128
[SPEAKER_06]: This is a tough one.

41:01.586 --> 41:02.188
[SPEAKER_06]: Strong start.

41:02.730 --> 41:03.212
[SPEAKER_08]: Seven.

41:03.894 --> 41:04.697
[SPEAKER_08]: This is persuasion.

41:05.299 --> 41:05.560
[SPEAKER_08]: Yes.

41:07.699 --> 41:11.021
[SPEAKER_08]: in a four, so 11 plus five, 16.

41:12.403 --> 41:22.310
[SPEAKER_09]: I think as you start to talk, Ramshackle leans in and is like, hey partner, sorry about my monkey there, you're gonna wanna skit that a lot of here.

41:22.490 --> 41:26.973
[SPEAKER_09]: I don't think Lord B is the one to play around with this, a year at Thumbs.

41:27.774 --> 41:29.235
[SPEAKER_09]: What's cut into you, brother?

41:30.736 --> 41:36.801
[SPEAKER_09]: Ramshackle will just sort of extend an arm and Thumbs will climb on and he'll leave and Ramshackle is expecting you to follow him.

41:38.033 --> 41:40.576
[SPEAKER_09]: He's like, Arm on your shoulder, like, come on, pal.

41:41.576 --> 41:48.983
[SPEAKER_09]: One of the vampires does follow the two of you out, and it's like, I can take you down to your reward.

41:51.625 --> 41:54.128
[SPEAKER_01]: The way they're talking about this for a word, feels real sketch.

41:55.088 --> 41:55.749
[SPEAKER_01]: I do not like it.

41:56.109 --> 41:57.431
[SPEAKER_04]: It's got to be like a person.

41:57.691 --> 41:57.991
[SPEAKER_04]: Right.

41:58.011 --> 41:59.272
[SPEAKER_04]: You get to drink their blood.

41:59.452 --> 42:01.094
[SPEAKER_04]: We've got your little Capricon and it's a guy.

42:01.114 --> 42:02.355
[SPEAKER_09]: They're just going to kill him.

42:03.623 --> 42:04.743
[SPEAKER_08]: The ramshack will just move in on.

42:05.623 --> 42:07.104
[SPEAKER_08]: It's just a big ramshack.

42:07.124 --> 42:08.584
[SPEAKER_09]: Look, so he's just going back to his room.

42:08.624 --> 42:10.264
[SPEAKER_09]: He's not really interested in you.

42:10.364 --> 42:10.705
[SPEAKER_07]: Okay, fine.

42:12.225 --> 42:12.745
[SPEAKER_07]: Thank you.

42:13.725 --> 42:16.166
[SPEAKER_07]: I could use a reward.

42:16.746 --> 42:20.847
[SPEAKER_07]: Um... What is it?

42:20.867 --> 42:23.427
[SPEAKER_09]: Hey, Neil.

42:23.447 --> 42:26.008
[SPEAKER_09]: I'm sure he didn't get to eat tonight.

42:26.688 --> 42:31.732
[SPEAKER_09]: Yes, I think I'd lovely glad that you were asking our enemies.

42:31.792 --> 42:33.633
[SPEAKER_07]: Yeah, there's not really time for snacks, you know?

42:33.653 --> 42:38.696
[SPEAKER_07]: I don't know the ground crew and we don't really get to have little nibbles.

42:39.477 --> 42:44.400
[SPEAKER_07]: But yeah, thank you for that, it's been a lot.

42:45.561 --> 42:47.022
[SPEAKER_08]: It's been a lot, it's been a lot.

42:47.603 --> 42:49.444
[SPEAKER_08]: That totally became Trump for a little bit.

42:50.505 --> 42:51.385
[SPEAKER_07]: It's been a lot.

42:54.067 --> 42:56.249
[SPEAKER_07]: Yes, a snack would be wonderful, thank you.

43:00.512 --> 43:09.359
[SPEAKER_09]: We are going to cut to the boat crew as this Gargoyle has just broken out.

43:09.399 --> 43:14.663
[SPEAKER_09]: I'll say that there have been about 12 seconds that have passed on this sleeping vampire.

43:17.025 --> 43:17.786
[SPEAKER_01]: Oh, is he sure?

43:21.046 --> 43:23.467
[SPEAKER_09]: I haven't seen it, I often quite a while.

43:23.987 --> 43:25.428
[SPEAKER_03]: Yeah, right, that's right.

43:25.468 --> 43:26.908
[SPEAKER_03]: And Glenn's going to let kind of show off his ear.

43:26.948 --> 43:29.449
[SPEAKER_03]: Yeah, that's a real deal.

43:30.310 --> 43:31.610
[SPEAKER_03]: So what do you think we can get?

43:31.630 --> 43:36.492
[SPEAKER_01]: Put their hands on the back of Glenn's shoulders and just say, go get him, tag her.

43:36.892 --> 43:38.613
[SPEAKER_01]: And he's going to cast guidance.

43:40.513 --> 43:41.394
[SPEAKER_06]: Try the right time.

43:41.454 --> 43:44.695
[SPEAKER_06]: If there's ever been a time to use guidance, it's probably right.

43:45.450 --> 43:51.554
[SPEAKER_04]: Glent is going to undo one button on his jerkin, which means that he has now one button undone on his jerkin.

43:51.574 --> 43:53.855
[SPEAKER_04]: It was buttoned all the way to the very time.

43:53.875 --> 43:54.676
[SPEAKER_04]: 10 up to 11.

43:54.936 --> 43:56.217
[SPEAKER_04]: One million done.

43:56.237 --> 43:58.078
[SPEAKER_03]: You had extra buttons installed.

43:58.638 --> 43:58.898
[SPEAKER_03]: Right.

43:58.938 --> 43:59.779
[SPEAKER_03]: Yeah.

43:59.879 --> 44:05.282
[SPEAKER_03]: My tailor did some work on this garment, and I'm sure you could see it's quite fetching for the time.

44:06.903 --> 44:07.284
[SPEAKER_03]: Oh, yeah.

44:07.304 --> 44:09.645
[SPEAKER_09]: I'm sure it's a pretty fetching.

44:12.972 --> 44:14.033
[SPEAKER_09]: So what's going on?

44:14.093 --> 44:17.514
[SPEAKER_09]: I mean, you said, can you enter?

44:19.155 --> 44:22.297
[SPEAKER_03]: Sure, yeah, the door that you are.

44:23.377 --> 44:33.342
[SPEAKER_03]: We would like our crew to go inside of you.

44:35.003 --> 44:37.404
[SPEAKER_09]: Inside of me, huh?

44:37.485 --> 44:38.325
[SPEAKER_09]: I don't know, can you?

44:40.952 --> 44:51.598
[SPEAKER_09]: I've been holding that back for years, so I think he needs to be like a constitution saved.

44:51.899 --> 44:52.279
[SPEAKER_01]: Yeah.

44:54.400 --> 44:55.961
[SPEAKER_04]: Dwight is bright red, by the way.

45:08.226 --> 45:11.069
[SPEAKER_03]: Um, well, if you're brave enough, maybe.

45:11.430 --> 45:12.891
[SPEAKER_09]: I'm really, I'm so brave.

45:15.974 --> 45:17.676
[SPEAKER_09]: Oh, it's strong, too, huh?

45:18.517 --> 45:18.817
[SPEAKER_04]: Yeah.

45:19.325 --> 45:22.926
[SPEAKER_04]: Yep, and he rolls his sleeve up just a little bit, and he's like cringing visibly.

45:22.946 --> 45:23.786
[SPEAKER_04]: Well, he's like, yeah.

45:23.986 --> 45:25.246
[SPEAKER_03]: Yeah, see, ready strong.

45:25.747 --> 45:27.627
[SPEAKER_03]: See all the muscles and veins.

45:28.207 --> 45:37.309
[SPEAKER_03]: Oh, wait, listen, we really have about 48 seconds in which we need to make urgent passage into your corridor.

45:37.329 --> 45:38.269
[SPEAKER_03]: 42 seconds.

45:40.450 --> 45:42.851
[SPEAKER_09]: Oh, well, I mean, be my guest.

45:42.911 --> 45:44.951
[SPEAKER_09]: Try your hands so you can open the door.

45:50.708 --> 45:53.009
[SPEAKER_09]: Um, Ridley is.

45:53.089 --> 45:54.670
[SPEAKER_09]: Is there anywhere to punch?

45:56.051 --> 45:57.772
[SPEAKER_09]: I mean, you can punch anything.

45:57.892 --> 45:58.432
[SPEAKER_09]: It's rock.

46:00.233 --> 46:01.634
[SPEAKER_05]: But is there like a punchable spot?

46:01.974 --> 46:02.394
[SPEAKER_05]: You get it.

46:02.635 --> 46:04.215
[SPEAKER_09]: You get it.

46:05.176 --> 46:06.537
[SPEAKER_09]: I'm sure you've punched rocks before.

46:07.686 --> 46:09.327
[SPEAKER_09]: There is a knob on this door.

46:09.347 --> 46:10.208
[SPEAKER_09]: Oh, nice.

46:10.228 --> 46:37.425
[SPEAKER_04]: Ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha

46:39.193 --> 46:46.457
[SPEAKER_03]: So do I've never been in the situation in my entire life with a door or a person door knob?

46:46.497 --> 46:58.683
[SPEAKER_03]: Yeah, you're gonna try the door knob here as consent first though may I turn your knob You may

47:00.879 --> 47:01.379
[SPEAKER_09]: Thank you.

47:01.819 --> 47:06.300
[SPEAKER_09]: Any, you dressed up in it.

47:06.640 --> 47:09.081
[SPEAKER_09]: Give me an investigation.

47:09.161 --> 47:11.162
[SPEAKER_09]: Check when you go to turn the knob.

47:11.842 --> 47:12.202
[SPEAKER_09]: Okay.

47:12.682 --> 47:12.882
[UNKNOWN]: What?

47:13.902 --> 47:15.223
[SPEAKER_01]: You also don't forget Evody Four.

47:16.383 --> 47:16.803
[SPEAKER_04]: Evody Four.

47:16.823 --> 47:17.523
[SPEAKER_04]: Oh, that's right.

47:18.503 --> 47:19.544
[SPEAKER_04]: How do I add that?

47:19.724 --> 47:21.424
[SPEAKER_04]: I do my open fear and then Evody Four.

47:21.484 --> 47:22.304
[SPEAKER_04]: And yeah, my plus eight.

47:22.404 --> 47:22.884
[SPEAKER_04]: Yeah.

47:25.605 --> 47:28.646
[SPEAKER_04]: First is a seven and then next.

47:29.758 --> 47:39.820
[SPEAKER_04]: is a six, exactly what I wrote last time, and then guidance, an additional four of guidance, and then investigation is eight.

47:40.141 --> 47:40.361
[SPEAKER_04]: Wow!

47:41.390 --> 47:41.871
[SPEAKER_01]: Wow.

47:42.031 --> 47:42.671
[SPEAKER_01]: So this is a 25.

47:42.852 --> 47:43.032
[SPEAKER_01]: Yeah.

47:45.194 --> 47:51.119
[SPEAKER_04]: When you go to, you just hear Michael Bolton, just like rip in Michael Bolton and Kenny G. I've called it.

47:51.480 --> 47:51.820
[SPEAKER_04]: Yeah.

47:51.860 --> 47:53.922
[SPEAKER_04]: It's a very sexy moment with Glint in the door.

47:55.083 --> 47:58.626
[SPEAKER_09]: The sound of sacks is a brassman in the background.

48:00.328 --> 48:04.932
[SPEAKER_09]: When you go to turn the knob, you would observe that this knob does not turn.

48:06.145 --> 48:10.847
[SPEAKER_09]: It is not on a screw or whatever it is that makes door knobs turn.

48:11.707 --> 48:21.270
[SPEAKER_01]: Oh, you're not going to open me like that, silly Do you need to be tick tickled?

48:24.991 --> 48:25.851
[SPEAKER_09]: I wouldn't say no

48:33.652 --> 48:33.932
[SPEAKER_06]: Um, soup?

48:34.032 --> 48:34.392
[SPEAKER_06]: Be arguest.

48:34.472 --> 48:36.933
[SPEAKER_06]: Believe it or not, that was my free space on our bingo card for this season.

48:36.953 --> 48:37.273
[SPEAKER_06]: That's weird.

48:37.293 --> 48:40.514
[SPEAKER_06]: Uh, yeah, I mean, Sue will say, uh, you know, lack of doros, uswing both ways, and so Sue will approach the door next.

48:43.055 --> 48:53.539
[SPEAKER_01]: Um, um, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh,

48:55.399 --> 48:58.383
[SPEAKER_01]: Is there, did we get anything else for the 25 investigation?

48:58.403 --> 48:59.504
[SPEAKER_01]: We get any clues or hint?

48:59.544 --> 49:05.611
[SPEAKER_05]: Come on, we know that we know that it's not on a screw and we also know that gauge doesn't know how do or not work.

49:07.213 --> 49:07.934
[SPEAKER_05]: That's a fact.

49:10.277 --> 49:12.960
[SPEAKER_09]: I think maybe you try to push a little bit.

49:13.701 --> 49:13.941
[SPEAKER_04]: Yeah.

49:14.241 --> 49:14.762
[SPEAKER_09]: And, um,

49:17.013 --> 49:19.915
[SPEAKER_09]: I think you get the idea that this door does not push in.

49:20.735 --> 49:21.836
[SPEAKER_09]: Well, I pull too.

49:22.096 --> 49:23.356
[SPEAKER_09]: It does not come on with either.

49:23.557 --> 49:26.418
[SPEAKER_09]: This is not a door that is mechanized by pushing or pulling.

49:27.379 --> 49:28.599
[SPEAKER_09]: So you observe there's no hinges.

49:29.540 --> 49:30.420
[SPEAKER_09]: Okay, all right.

49:30.781 --> 49:31.121
[SPEAKER_09]: There we go.

49:31.181 --> 49:32.742
[SPEAKER_01]: A lift, a lift, a lift, a gate.

49:33.242 --> 49:33.542
[SPEAKER_04]: Go up.

49:35.203 --> 49:36.284
[SPEAKER_04]: Well, it's a French door.

49:36.424 --> 49:37.204
[SPEAKER_04]: It goes to the side.

49:37.484 --> 49:39.185
[SPEAKER_04]: Slide that's the one that pops in the wall.

49:39.905 --> 49:40.706
[SPEAKER_04]: It's a Murphy door.

49:40.866 --> 49:41.927
[SPEAKER_06]: I'm Murphy talking.

49:41.947 --> 49:42.447
[SPEAKER_04]: Do you try?

49:43.551 --> 49:44.332
[SPEAKER_04]: Yeah, I try it all.

49:44.352 --> 49:56.334
[SPEAKER_04]: I'm, I'm, I'm, I'm, I'm, I'm, I'm, I'm, I'm, I'm, I'm, I'm, I'm, I'm, I'm, I'm, I'm, I'm, I'm, I'm, I'm, I'm, I'm, I'm, I'm, I'm, I'm, I'm, I'm, I'm, I'm, I'm, I'm, I'm, I'm, I'm, I'm, I'm, I'm, I'm, I'm, I'm, I'm, I'm, I'm, I'm, I'm, I'm, I'm, I'm, I'm, I'm, I'm, I'm, I'm, I'm, I'm, I'm, I'm, I'm, I'm, I'm, I'm, I'm, I'm, I'm, I'm, I'm, I'm, I'm, I'm, I'm,

49:57.270 --> 50:03.158
[SPEAKER_09]: It's another six seconds, so, yeah, I mean, how do you propose that idea?

50:03.178 --> 50:04.339
[SPEAKER_09]: No.

50:04.640 --> 50:06.482
[SPEAKER_09]: He's expecting it to take, I can hear it.

50:06.502 --> 50:09.426
[SPEAKER_09]: I can hear your tone that it's a bad idea, I'm gonna do it.

50:09.647 --> 50:11.709
[SPEAKER_09]: Give me this second friend.

50:14.633 --> 50:23.841
[SPEAKER_09]: Well, I think as you would just try a bunch of different dorm mechanics as you're just including tickle, including tickle.

50:23.861 --> 50:24.481
[SPEAKER_04]: Can we roll play?

50:24.501 --> 50:25.522
[SPEAKER_04]: Can we roll play that really quickly?

50:25.542 --> 50:25.942
[SPEAKER_04]: Yeah, yeah.

50:25.963 --> 50:29.445
[SPEAKER_04]: Can we roll play that really quickly?

50:29.626 --> 50:40.675
[SPEAKER_09]: I haven't been tickled in a minute, but I'm sure if you tried to handle me a different way, you might get beat open.

50:42.296 --> 50:43.077
[SPEAKER_09]: And this is where

50:46.032 --> 50:47.993
[SPEAKER_09]: I think we'll plant passes out.

50:48.894 --> 50:53.216
[SPEAKER_09]: I think this is where you realize that the Bethy didn't try was sliding.

50:55.457 --> 50:56.638
[SPEAKER_04]: OK, I tried to slide it.

50:57.298 --> 50:59.500
[SPEAKER_09]: You handled me just right in the door.

50:59.520 --> 51:02.521
[SPEAKER_09]: That's a slide to the side.

51:03.462 --> 51:04.082
[SPEAKER_01]: Amazing.

51:04.782 --> 51:10.886
[SPEAKER_05]: Ridley was turning because he was about to use, like, I'm going to have to go kill this guard.

51:12.728 --> 51:14.209
[SPEAKER_05]: We don't have enough time.

51:14.629 --> 51:15.970
[SPEAKER_05]: I'm gonna put him underwater.

51:16.230 --> 51:19.931
[SPEAKER_05]: And so then when he starts to hear the stone move, he's so really.

51:21.252 --> 51:32.056
[SPEAKER_04]: As we get right inside the tunnel, Glint's gonna fish in his satchel and pull out a single ball bearing, but I've infused with magical tinkering to emit light just to light our way down here.

51:32.597 --> 51:39.800
[SPEAKER_04]: And in the eerie blue glow of this ball bearing, Glint's face lit from beneath the gate telling a ghost story to campfire, he looks at the others and he says,

51:41.101 --> 51:46.725
[SPEAKER_04]: Um, don't tell anybody about that, please.

51:48.045 --> 51:48.466
[SPEAKER_03]: I didn't.

51:49.146 --> 51:50.807
[SPEAKER_03]: I don't like doors like that one.

51:53.149 --> 51:53.589
[SPEAKER_03]: Wow.

51:53.609 --> 51:56.170
[SPEAKER_09]: Just **** up, man.

51:56.671 --> 51:59.092
[SPEAKER_09]: You're secret, you're secret, say for that, you know.

52:00.613 --> 52:01.234
[SPEAKER_09]: Oh, man.

52:01.914 --> 52:05.837
[SPEAKER_09]: As the doors slides open, and I'm sure you slide a shut behind you.

52:06.688 --> 52:13.111
[SPEAKER_09]: Yeah, you can see the gargoyles faces also on the other side and it's like smoking a cigarette.

52:13.171 --> 52:15.332
[SPEAKER_03]: That was unnecessary.

52:16.112 --> 52:17.433
[SPEAKER_03]: You were, you were lovely.

52:17.453 --> 52:20.694
[SPEAKER_03]: I'm learning a lot about my own preferences and encounters such as this.

52:25.757 --> 52:35.241
[SPEAKER_09]: We will cut to Lord Bartholomew's room where Fiddles lays on the table.

52:36.305 --> 52:44.467
[SPEAKER_09]: And he tells the vampire's in his room, allow me a moment with my daughter.

52:47.487 --> 52:57.869
[SPEAKER_09]: One of you, the weight in the room to the side, I'll let you know if I need something, the other go back to the front, make sure that no funny business happens tonight.

52:58.489 --> 53:02.130
[SPEAKER_09]: And that one will leave the room and go back, I think,

53:04.133 --> 53:08.577
[SPEAKER_09]: Nobody sees, but he flies back to the front of the manor and the other one steps into the other room.

53:12.800 --> 53:28.553
[SPEAKER_09]: Well, Cornelia, I wish that any stops and sits down on his chair here and rests a hand on fatal sticks head.

53:30.954 --> 53:32.716
[SPEAKER_09]: Before, he's like,

53:34.333 --> 53:43.106
[SPEAKER_09]: with the hell and knocks and the sound of knocking on a hollow metal can be heard.

53:50.928 --> 54:16.018
[SPEAKER_06]: flashback what yeah I think sort of hunker down and wherever the planning was happening I'm imagining sort of like another marina waiting to get the boat for everybody and you know kind of putting things together I think fiddles and Donnie would be pacing and just like racking their brains for how to pull this off

54:17.172 --> 54:25.242
[SPEAKER_02]: and fiddles were just kind of in frustration, be like, we just need everybody to play a part.

54:26.604 --> 54:31.590
[SPEAKER_02]: And one of those parts is me, but I need to do other, you know what I mean?

54:31.911 --> 54:34.234
[SPEAKER_02]: It's just like, what do we do here?

54:36.147 --> 54:38.948
[SPEAKER_08]: Well, it's almost like we need two of you.

54:39.109 --> 54:43.051
[SPEAKER_08]: You got any other secret sisters that look anything like you running around?

54:43.431 --> 54:45.652
[SPEAKER_02]: Just my twin, I ate in the womb, but I don't think it helps.

54:46.292 --> 54:47.193
[SPEAKER_08]: Sure, probably not.

54:47.633 --> 54:49.574
[SPEAKER_08]: That is interesting though, if you would unpack that later.

54:50.474 --> 54:57.678
[SPEAKER_08]: I like to imagine, can it be that as we're pacing, that Davey is like, my mimicking us, too?

54:58.198 --> 55:03.481
[SPEAKER_09]: Oh, yeah, I think you have Davey Sprockett like on your back, yeah.

55:06.582 --> 55:10.364
[SPEAKER_09]: and Davy is just sort of, not Davy's bracket, you have, Tim Boo.

55:10.864 --> 55:11.824
[SPEAKER_09]: Tim Boo, you're on your back.

55:11.844 --> 55:12.204
[SPEAKER_09]: Yeah, yeah.

55:12.485 --> 55:17.427
[SPEAKER_09]: And Davy is just mimicking you with like a broom on Davy's back.

55:20.928 --> 55:30.472
[SPEAKER_06]: I think in that same moment, Fiddles would kind of lean heavily against the wall and brush her hair back and just sort of like sigh into her hand.

55:31.512 --> 55:31.693
[SPEAKER_06]: And,

55:34.523 --> 55:39.606
[SPEAKER_06]: would with Davy by chance mimic that motion or is it just a donny thing?

55:41.167 --> 55:43.288
[SPEAKER_09]: No, I think Davy is playing sure it's right now.

55:43.328 --> 55:45.630
[SPEAKER_09]: Okay, just mimicking everything that's happening.

55:45.910 --> 55:50.513
[SPEAKER_09]: And then after he size into his hand, he like pushes it out like he's glint.

55:50.933 --> 55:51.173
[SPEAKER_08]: Right.

55:51.714 --> 55:52.574
[SPEAKER_08]: Let's just do everything.

55:55.016 --> 55:57.097
[SPEAKER_08]: Donny has a bit of a piffy and he's like,

55:58.351 --> 56:02.575
[SPEAKER_08]: Now, if it was wait a minute, here, we got ourselves a little actor, don't we?

56:03.336 --> 56:09.402
[SPEAKER_06]: She had moves the hand from her face and is kind of squinting looking between Donnie and Davy.

56:09.962 --> 56:13.826
[SPEAKER_06]: Just silent, but just kind of like, got to where you go on with this look on her face.

56:15.568 --> 56:22.495
[SPEAKER_08]: Well, I think, well, he wouldn't have to act too much, but,

56:24.375 --> 56:26.616
[SPEAKER_08]: Hell, if it was, maybe we can get two of you.

56:26.636 --> 56:27.557
[SPEAKER_08]: You still got that ring?

56:28.538 --> 56:30.679
[SPEAKER_08]: The disguise ring when you back when you were chut?

56:33.100 --> 56:33.400
[SPEAKER_06]: Donny.

56:35.362 --> 56:36.262
[SPEAKER_06]: That's brilliant.

56:37.083 --> 56:39.764
[SPEAKER_06]: She goes the ring off and she hands it to Davy.

56:40.024 --> 56:45.047
[SPEAKER_02]: And she says, uh, well, that fit your finger, pal.

56:45.908 --> 56:49.810
[SPEAKER_09]: And he grabs it and puts it on one of his mechanical fingers.

56:50.591 --> 56:52.332
[SPEAKER_09]: And it is a little bit too wide.

56:55.536 --> 56:59.758
[SPEAKER_09]: And he essentially, like, stuff sit with straw.

56:59.798 --> 57:21.572
[SPEAKER_02]: Ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha,

57:22.827 --> 57:36.530
[SPEAKER_09]: Uh, the skin starts to appear over his metal and like the straw from the broom starts to become hair and soon enough you have two fiddles looking at each other.

57:36.830 --> 57:37.030
[SPEAKER_08]: Whoa.

57:38.590 --> 57:43.171
[SPEAKER_08]: Well, Davey that that's incredible and Donnie like has fiddles shoulders right now.

57:45.111 --> 57:45.311
[SPEAKER_08]: Davey.

57:45.331 --> 57:45.611
[SPEAKER_08]: You did it.

57:45.631 --> 57:45.992
[SPEAKER_08]: You did it.

57:46.112 --> 57:46.952
[SPEAKER_08]: You did it so quick.

57:49.543 --> 57:50.164
[SPEAKER_08]: Oh my god.

57:51.004 --> 57:52.025
[SPEAKER_02]: Dave's got the wagon.

57:52.886 --> 57:53.967
[SPEAKER_09]: David, hold on, hold on.

57:54.407 --> 57:57.930
[SPEAKER_09]: And then, uh, do like a look over his shoulder and say, like, please, Max.

57:57.950 --> 58:17.025
[SPEAKER_08]: Ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha

58:19.107 --> 58:25.911
[SPEAKER_09]: Um, he lays down, but is, uh, somewhat impatient before he says, uh, no time.

58:28.412 --> 58:30.373
[SPEAKER_08]: Oh, yeah, you wouldn't be able to kind of have that out of you.

58:31.534 --> 58:31.654
[SPEAKER_03]: Oh.

58:33.054 --> 58:36.096
[SPEAKER_02]: David, did you do a different kind of dent without me?

58:36.116 --> 58:36.456
[SPEAKER_02]: Yeah, you did.

58:36.476 --> 58:39.318
[SPEAKER_09]: Trust them else.

58:41.679 --> 58:47.562
[SPEAKER_09]: And he, like, leans against the wall, and you can see him slowly starting to kind of power down.

58:49.565 --> 58:59.109
[SPEAKER_06]: I think Fiddles would go in the first thing she would think is she would grab his wrist to move his arm and I assume would probably feel due to the robot of it all incredibly stiff.

59:00.469 --> 59:05.531
[SPEAKER_09]: Yeah, and you can hear like a really soft humming coming from within.

59:05.952 --> 59:09.933
[SPEAKER_06]: Like mechanical players and he's a little h-back.

59:09.973 --> 59:10.473
[SPEAKER_09]: He's got all.

59:10.593 --> 59:12.434
[SPEAKER_09]: He's got a fan inside that keeps him.

59:14.055 --> 59:14.795
[SPEAKER_04]: He's liquid-cooled.

59:15.035 --> 59:15.515
[SPEAKER_04]: I love it.

59:17.367 --> 59:18.828
[SPEAKER_09]: I would think this is the wind-rangler.

59:19.629 --> 59:30.758
[SPEAKER_08]: There was something I was going to do here, but it would have been easier on you, but we talked a little bit about how one of those dark magic cellar and back in school showed up again.

59:30.798 --> 59:39.785
[SPEAKER_08]: The fain death of it all, willing creature for about an hour or so is pretty much dead.

59:39.945 --> 59:42.247
[SPEAKER_08]: You can't even tell that they are, but that really only works with

59:43.322 --> 59:52.509
[SPEAKER_08]: with a living creature in a deviant, no offense, but I'm not totally sure if something like that would be worthy, or it would work.

59:52.829 --> 59:54.271
[SPEAKER_08]: Can you be willing?

59:54.871 --> 59:55.532
[SPEAKER_08]: How do you feel?

59:55.572 --> 01:00:01.937
[SPEAKER_08]: This is all pretty philosophical to not have glitter around, but I don't know.

01:00:04.619 --> 01:00:08.602
[SPEAKER_08]: Ah, doing the trust.

01:00:11.044 --> 01:00:11.924
[SPEAKER_08]: Donny Trust, too.

01:00:12.929 --> 01:00:20.333
[SPEAKER_08]: Uh, Danny just walks up to David and like holds both of his hands and he goes, uh, non-night, so you in the morning.

01:00:22.013 --> 01:00:25.195
[SPEAKER_08]: And like this like thrown like little faint death spell.

01:00:26.295 --> 01:00:42.183
[SPEAKER_09]: I think as you go to the court, um, the sound wave from it kind of amplifies and you just hear this like, and uh, Davies under the effect of faint dead, just sort of goes limp.

01:00:43.327 --> 01:00:48.132
[SPEAKER_06]: Fiddles is like snapping in front of his face and she puts her ear to his chest again.

01:00:49.493 --> 01:00:49.834
[SPEAKER_06]: Nothing.

01:00:51.696 --> 01:01:02.607
[SPEAKER_06]: She looks up at Donnie with wide eyes and then she looks at the door where I assume the rest of the crew is and she's sprints and she slams the door open and she says, Glent, everybody, get in here.

01:01:03.568 --> 01:01:05.030
[SPEAKER_02]: It's go time like now.

01:01:24.861 --> 01:01:38.072
[SPEAKER_09]: Cut two, 30 feet above the manner, hangs, fiddle sticks, fiddles, how did you get up there?

01:01:39.522 --> 01:01:45.964
[SPEAKER_06]: Okay, so this was a classic, a fiddle's glint mess around.

01:01:45.984 --> 01:01:58.747
[SPEAKER_06]: This is a glint idea that he had given to fiddles that I think at first she would have been like okay pal it sounds great and then the more she sat on it I think the more she was just like I mean

01:02:00.107 --> 01:02:21.938
[SPEAKER_06]: It's a pretty good idea, and so over the last like 25-inch minutes, Fiddles has been solo monkey barring up and over from the other side of the little moat across the manner, from the manner, using the immovable rod to just sort of like,

01:02:26.330 --> 01:02:29.932
[SPEAKER_06]: just up and over for who knows how long.

01:02:29.952 --> 01:02:31.872
[SPEAKER_06]: Courshrink for days, we all know this.

01:02:31.892 --> 01:02:35.154
[SPEAKER_05]: Yes, Ninja Warrior, it's called the Salmon Ladder, right?

01:02:35.594 --> 01:02:36.394
[SPEAKER_05]: Is that what it is?

01:02:36.654 --> 01:02:39.656
[SPEAKER_06]: Okay, she has Salmon Ladder and Solo.

01:02:39.676 --> 01:02:40.936
[SPEAKER_09]: Because you just look like a fish.

01:02:41.176 --> 01:02:44.338
[SPEAKER_09]: And levitation spell would have helped a little bit in there.

01:02:44.458 --> 01:02:45.038
[SPEAKER_04]: Yeah, that's right.

01:02:45.138 --> 01:02:50.980
[SPEAKER_04]: I think that that was Fiddlestick's plan, and Glent was not super sure that that would work.

01:02:51.101 --> 01:02:51.441
[SPEAKER_04]: And so,

01:02:52.361 --> 01:03:10.306
[SPEAKER_03]: Right before Phil starts to salmon ladder glints like that now are you sure you don't want me to cast I can levitate you very easily and you don't have to do any American ninja warrior Stuff you couldn't just you can just float Phil I imagine you're talking to Phil's about 15 feet up Drenched.

01:03:10.327 --> 01:03:18.169
[SPEAKER_03]: Yes, we're just completely Do you want I can cast something you don't have to do that all the way up there okay?

01:03:18.189 --> 01:03:18.949
[SPEAKER_03]: Yeah

01:03:23.409 --> 01:03:24.690
[SPEAKER_02]: That's better, I guess.

01:03:26.110 --> 01:03:27.511
[SPEAKER_02]: I mean, I guess if you want to.

01:03:28.692 --> 01:03:35.715
[SPEAKER_02]: If it would make you feel better about that, about that, planning.

01:03:35.735 --> 01:03:37.956
[SPEAKER_02]: What was it?

01:03:37.996 --> 01:03:38.136
[SPEAKER_01]: Yeah.

01:03:42.001 --> 01:03:44.042
[SPEAKER_01]: Glenn, remind me, where did you get that item?

01:03:44.082 --> 01:03:45.943
[SPEAKER_01]: How, I feel like you've had it every morning, though.

01:03:46.383 --> 01:03:56.348
[SPEAKER_04]: Yeah, I got, I got the, a movable rod in the nest of spiderwebs underneath the ruined abbey in episode four of the podcast.

01:03:56.668 --> 01:03:58.829
[SPEAKER_04]: Oh, I'm holding on to it for a very special moment.

01:03:58.849 --> 01:04:00.110
[SPEAKER_04]: And so I've bequeathed to fiddles.

01:04:00.710 --> 01:04:09.935
[SPEAKER_04]: And as fiddles, salmon ladders, more like a fish out of water, than a graceful salmon swimming upstream, Glenn is going to hold his hand palm up.

01:04:10.835 --> 01:04:25.243
[SPEAKER_04]: and say that word of power that he endured through his dragon mark, your toward and cast levitate on fiddles and the bottoms of fiddles shoes specifically to try and keep fiddles pointed in the right direction to float straight up on this immovable rod.

01:04:25.483 --> 01:04:29.165
[SPEAKER_03]: Fiddles don't depress the button until you get to the apex of your ascend please.

01:04:29.665 --> 01:04:30.986
[SPEAKER_03]: Otherwise you'll rip your arms off.

01:04:32.127 --> 01:04:34.208
[SPEAKER_09]: I like to think that in the beginning fiddles keeps like

01:04:35.088 --> 01:04:56.624
[SPEAKER_06]: flipping upside down because the she's walking in like a full circle with the rod as a center point let go let go of the button and the rod will go with you oh this should have instructions it does you have to read them there's no picture and then she just goes really really fast

01:05:06.060 --> 01:05:15.908
[SPEAKER_09]: We will cut to Donnie who's on the floor of the ground floor in the main room.

01:05:16.848 --> 01:05:18.810
[SPEAKER_09]: Mercy.

01:05:19.550 --> 01:05:26.596
[SPEAKER_09]: Donnie, I think, as you're being flown to the beginning or to the main floor here, you do recognize

01:05:37.238 --> 01:06:02.448
[SPEAKER_09]: uh... from the back on the back side use it for the front you're at the front again here let me bring over which guards in my trying to draw to me uh... you're probably thinking that it's going to come through the back end so all those guards in the court you're on the back side cash should not be there that's uh... cool so uh... and my on the ground of the

01:06:03.317 --> 01:06:04.078
[SPEAKER_08]: taking me to the front.

01:06:04.378 --> 01:06:09.045
[SPEAKER_09]: Yeah, yeah, yeah, they're like, yeah, go to the kitchen and get yourself some grub.

01:06:09.125 --> 01:06:09.605
[SPEAKER_09]: Good work.

01:06:10.787 --> 01:06:11.368
[SPEAKER_07]: Yes, of course.

01:06:11.408 --> 01:06:11.748
[SPEAKER_07]: Yummy.

01:06:11.788 --> 01:06:12.529
[SPEAKER_07]: Thank you, bye.

01:06:12.549 --> 01:06:19.599
[SPEAKER_08]: And he starts like quickly walking through and he's like two nobles.

01:06:22.014 --> 01:06:26.116
[SPEAKER_07]: Hey, hi, thank you, hi, yes, thank you, okay.

01:06:26.596 --> 01:06:29.138
[SPEAKER_07]: Just grabbing the food person.

01:06:29.298 --> 01:06:34.501
[SPEAKER_09]: Okay, Donnie, if you walk through here, you know that that sun orb is gonna activate.

01:06:37.122 --> 01:06:41.364
[SPEAKER_06]: Which should matter to you, it won't, but it will be suspicious that it doesn't matter to you.

01:06:42.205 --> 01:06:45.187
[SPEAKER_09]: You know that the kitchen they're talking about is probably in the barn.

01:06:47.288 --> 01:06:47.808
[SPEAKER_09]: Yeah, okay.

01:06:48.308 --> 01:06:49.689
[SPEAKER_08]: Can I cast a spell?

01:06:49.709 --> 01:06:51.090
[SPEAKER_08]: What happens if I cast a spell?

01:06:51.886 --> 01:06:55.088
[SPEAKER_09]: Just make a made it really depends what kind of spell you're casting.

01:06:55.709 --> 01:07:06.817
[SPEAKER_09]: If you're using it with your instruments, uh, they might have an idea that like you're a bard and are doing something interesting, but if not, they're going to be okay.

01:07:06.837 --> 01:07:07.698
[SPEAKER_08]: Okay, here's what's going to happen.

01:07:08.258 --> 01:07:13.742
[SPEAKER_08]: Donnie's going to walk straight through the laser beam, beam place, okay?

01:07:14.843 --> 01:07:18.546
[SPEAKER_08]: And make a big commotion, because I'm guessing the sun turns on,

01:07:21.612 --> 01:07:32.419
[SPEAKER_08]: In his commotion, he's going to do a quick strumming cast minor illusion to make it look like his whole body is smoking and he's going to walk to the back courtyard.

01:07:33.359 --> 01:07:33.800
[SPEAKER_08]: Can you do that?

01:07:35.401 --> 01:07:37.382
[SPEAKER_09]: Sure, I mean the sunlight turns on.

01:07:38.535 --> 01:07:44.242
[SPEAKER_09]: You start smoking and all of these guards are like, I'm coming through the back.

01:07:44.262 --> 01:07:44.442
[SPEAKER_09]: Yeah.

01:07:44.482 --> 01:07:45.303
[SPEAKER_07]: I'm like, oh my god.

01:07:45.764 --> 01:07:47.946
[SPEAKER_07]: I know everybody tells me why is this here?

01:07:47.966 --> 01:07:51.991
[SPEAKER_07]: I just came for a snack and they told me to go to the kitchen as if I even know what that is.

01:07:52.011 --> 01:07:53.773
[SPEAKER_07]: No, but he said anything.

01:07:53.793 --> 01:07:56.376
[SPEAKER_08]: He's like patting himself like crazy.

01:07:57.017 --> 01:07:58.518
[SPEAKER_08]: And he's like rolling around on the ground.

01:07:58.558 --> 01:07:59.019
[SPEAKER_08]: He's like,

01:07:59.119 --> 01:08:01.761
[SPEAKER_07]: Okay, great, we have with now there's a son in any room.

01:08:02.221 --> 01:08:03.562
[SPEAKER_07]: What am I supposed to do about that?

01:08:03.602 --> 01:08:05.303
[SPEAKER_07]: Don't you know that I'm clearly vampire?

01:08:05.323 --> 01:08:07.625
[SPEAKER_07]: Oh my god, what I would be do this.

01:08:08.045 --> 01:08:11.907
[SPEAKER_08]: And he's just like, he continues to roll around and pat and all sorts of things.

01:08:11.927 --> 01:08:17.971
[SPEAKER_08]: He's even kind of like patting them a little bit as if he's like blind and almost like ushring them into that room.

01:08:18.492 --> 01:08:20.573
[SPEAKER_08]: It seems like and just causing a little bit of chaos.

01:08:21.274 --> 01:08:24.856
[SPEAKER_09]: Yeah, I think they're all gathered looking at the sunroom.

01:08:28.940 --> 01:08:41.723
[SPEAKER_09]: in the main room, who are now like, like, I mean, mainly curious, honestly, the ones in the courtyard are gathered to you and are like, afraid to help at you out, but they're like,

01:08:43.010 --> 01:08:44.791
[SPEAKER_09]: Throwing cloaks on you and stuff.

01:08:44.811 --> 01:08:50.057
[SPEAKER_09]: Like one of them takes his cloak off and And I need to try and get them away from the sunroom right.

01:08:50.818 --> 01:08:51.158
[SPEAKER_08]: Oh, yeah.

01:08:51.519 --> 01:08:56.024
[SPEAKER_08]: Okay, so he's like walking He's like stumbling towards the turret and I think at some point.

01:08:56.064 --> 01:09:02.170
[SPEAKER_08]: He's like as he's looking around He's like kind of like trying to like peek over his arm and see if anybody else is out there

01:09:03.288 --> 01:09:05.509
[SPEAKER_07]: And he was like, can you get me the water?

01:09:05.769 --> 01:09:06.989
[SPEAKER_07]: And he starts to go towards the river.

01:09:07.009 --> 01:09:08.730
[SPEAKER_07]: He's like, no, but I think that's running water.

01:09:08.770 --> 01:09:09.410
[SPEAKER_07]: I can't do that.

01:09:10.110 --> 01:09:11.971
[SPEAKER_07]: Is there a faucet or is that running too?

01:09:12.031 --> 01:09:13.431
[SPEAKER_07]: I've never understood this before.

01:09:13.451 --> 01:09:17.072
[SPEAKER_07]: I didn't take this kind of crisis management class in school.

01:09:17.573 --> 01:09:18.293
[SPEAKER_07]: What do I do?

01:09:18.753 --> 01:09:23.234
[SPEAKER_08]: And he's going further and further away from the sun, where he just died.

01:09:23.555 --> 01:09:24.315
[UNKNOWN]: I died.

01:09:27.476 --> 01:09:29.917
[SPEAKER_09]: Let me get a performance check with advantage here.

01:09:32.202 --> 01:09:35.144
[SPEAKER_01]: We're at it.

01:09:35.444 --> 01:09:36.104
[SPEAKER_08]: Oh, man.

01:09:36.684 --> 01:09:37.085
[SPEAKER_08]: All right.

01:09:37.525 --> 01:09:38.986
[SPEAKER_08]: First one's a two.

01:09:39.946 --> 01:09:41.287
[SPEAKER_08]: The second one's a five.

01:09:41.427 --> 01:09:45.089
[SPEAKER_08]: So it's a seven plus a D plus year.

01:09:45.109 --> 01:09:46.130
[SPEAKER_08]: Oh, a D eight.

01:09:47.130 --> 01:09:50.332
[SPEAKER_01]: Performance is you get an extra D eight.

01:09:50.472 --> 01:09:52.153
[SPEAKER_09]: Advantage will be you get a D eight.

01:09:52.553 --> 01:09:52.693
[SPEAKER_01]: Yep.

01:09:52.873 --> 01:09:53.313
[SPEAKER_01]: Sorry.

01:09:53.333 --> 01:09:55.595
[SPEAKER_01]: My train combined those two sentences in my head.

01:09:55.695 --> 01:09:56.815
[SPEAKER_08]: So am I ruling it another?

01:09:56.835 --> 01:09:58.316
[SPEAKER_09]: Yeah, we're all another D eight.

01:09:59.377 --> 01:09:59.877
[SPEAKER_08]: Oh, a three.

01:10:01.216 --> 01:10:03.238
[SPEAKER_09]: Okay, so this is a 15.

01:10:05.541 --> 01:10:06.742
[SPEAKER_09]: They're like following you.

01:10:07.443 --> 01:10:12.248
[SPEAKER_09]: And you can hear them like, this guy must be a fresh vampire.

01:10:12.288 --> 01:10:14.310
[SPEAKER_09]: He doesn't know that the running water thing is fake.

01:10:15.845 --> 01:10:18.046
[SPEAKER_09]: But you are getting the attention of the guards.

01:10:18.106 --> 01:10:21.247
[SPEAKER_09]: They're all kind of coming towards you like, what the hell's going on with this guy?

01:10:21.387 --> 01:10:25.068
[SPEAKER_09]: Like, a sleepy looking guy with piss pants over there?

01:10:25.848 --> 01:10:27.088
[SPEAKER_09]: He's just waking up.

01:10:28.128 --> 01:10:30.389
[SPEAKER_09]: And you can, I think, fiddles.

01:10:30.409 --> 01:10:37.271
[SPEAKER_09]: You would see him standing up and like, kind of wiping his pants a little bit and like pretending like he wasn't sleeping like us.

01:10:38.451 --> 01:10:38.911
[SPEAKER_09]: Wow.

01:10:40.252 --> 01:10:43.533
[SPEAKER_08]: Johnny, Johnny goes, he's going all the way to the shore.

01:10:44.802 --> 01:10:48.243
[SPEAKER_07]: And he was like, oh, that's right.

01:10:48.283 --> 01:10:50.323
[SPEAKER_07]: It is fake, thank you, Milton.

01:10:50.343 --> 01:10:53.764
[SPEAKER_07]: I would have your name was, that's so helpful.

01:10:53.804 --> 01:10:55.964
[SPEAKER_08]: And he just stumbles into the water.

01:10:56.144 --> 01:11:02.245
[SPEAKER_08]: And I would like to imagine that everyone keeps looking and not even bubbles anymore.

01:11:03.345 --> 01:11:09.706
[SPEAKER_08]: Except he slowly puts his fist out of the water and gives them a thumbs up.

01:11:09.766 --> 01:11:10.147
[SPEAKER_06]: Yeah.

01:11:13.587 --> 01:11:14.368
[SPEAKER_08]: That he's okay.

01:11:15.588 --> 01:11:17.310
[SPEAKER_09]: Okay, Fiddles, this is your shot.

01:11:18.130 --> 01:11:25.455
[SPEAKER_06]: Yeah, seeing this, I think Fiddles would under her breath be like, exactly how we practiced.

01:11:25.655 --> 01:11:30.659
[SPEAKER_08]: I do like the thing, you have been watching for much longer than you should have.

01:11:30.699 --> 01:11:31.740
[SPEAKER_08]: Like, you could have got it.

01:11:34.141 --> 01:11:36.983
[SPEAKER_06]: She's just enjoying the show at this point.

01:11:37.003 --> 01:11:41.887
[SPEAKER_06]: Yeah, I think Fiddles would drop Roof to Roof to ground right outside the door to the sunroom.

01:11:42.787 --> 01:11:46.230
[SPEAKER_06]: And the door's not locked, I assume, since Donnie just cracked straight out of it.

01:11:46.270 --> 01:11:46.510
[SPEAKER_06]: Yeah.

01:11:46.631 --> 01:11:55.198
[SPEAKER_06]: So, Finals would slip in the smallest cracks she could close the door behind her, and sort of take in the room, and I assume, see this sun or, but on?

01:11:55.738 --> 01:11:56.058
[SPEAKER_06]: Correct.

01:11:56.699 --> 01:11:57.320
[SPEAKER_09]: It is on.

01:11:58.801 --> 01:12:03.265
[SPEAKER_09]: You can see these doors to the main room are closed.

01:12:04.825 --> 01:12:11.730
[SPEAKER_09]: And I think you would be able to see through that like there are vampires on the other side of the room, like trying not to look into the center.

01:12:11.770 --> 01:12:14.412
[SPEAKER_09]: Like they're very close to like trying to avoid it.

01:12:15.974 --> 01:12:27.362
[SPEAKER_06]: Okay, so at this point, Fiddles would walk over and she would rummage in that sack on her side that she padded a little bit ago before the whole heist started.

01:12:28.443 --> 01:12:34.048
[SPEAKER_06]: And she removed something from it that it's sort of like a short, probably like,

01:12:34.975 --> 01:12:42.161
[SPEAKER_06]: Six or seven inch little rod, wider at one in, like flat, almost like a cone at one end.

01:12:44.223 --> 01:12:46.785
[SPEAKER_06]: And she would look at it and she would say, okay.

01:12:47.926 --> 01:12:54.131
[SPEAKER_02]: The immovable rod instructions were button, no more arms if wrong.

01:12:54.811 --> 01:12:57.654
[SPEAKER_02]: And this rod's in struck, why are they both rods?

01:12:57.934 --> 01:12:59.175
[SPEAKER_02]: Climbed, okay.

01:13:00.576 --> 01:13:09.025
[SPEAKER_06]: I think it was button towards me, Sun for free, and then she pulls a little switch on the rod back towards herself.

01:13:10.006 --> 01:13:17.293
[SPEAKER_06]: And the Sun lamp, I think, would probably dim like ever so slightly, not drained entirely.

01:13:17.793 --> 01:13:19.655
[SPEAKER_06]: But as the Sun lamp starts to dim,

01:13:20.436 --> 01:13:36.751
[SPEAKER_06]: the cone at the end of this rod would brighten and brighten until this switch would snap back into place indicating that I think it's full and this is a this is an item that Glint has made for Fiddles.

01:13:37.992 --> 01:13:39.073
[SPEAKER_06]: Do you want to do a flashback for this?

01:13:40.393 --> 01:13:41.114
[SPEAKER_06]: Yeah, go for it.

01:13:41.574 --> 01:13:42.535
[SPEAKER_06]: Who plays my dog all?

01:13:43.475 --> 01:13:49.740
[SPEAKER_06]: I think this is during the reconnaissance phase basically right when Fiddles hears about this sonlamp.

01:13:49.760 --> 01:13:56.925
[SPEAKER_06]: She has this idea and she grabs Glent and she says, Glent, I like when you make stuff.

01:13:57.325 --> 01:13:57.845
[SPEAKER_03]: It's cool.

01:13:58.726 --> 01:13:59.146
[SPEAKER_03]: I knew it.

01:14:00.147 --> 01:14:01.448
[SPEAKER_02]: How fast can you make something?

01:14:02.805 --> 01:14:12.948
[SPEAKER_03]: Um, well, that depends on the, um, the scope of the, uh, and of course, whether it's an iteration on an already existing designer, whether I'm supposed to come up with something whole cloth.

01:14:12.968 --> 01:14:19.611
[SPEAKER_03]: There's almost an infinite number of variables, which would greatly affect the manufacturing and, uh, an ideation process.

01:14:20.091 --> 01:14:21.431
[SPEAKER_02]: Do you talk while you invent?

01:14:21.851 --> 01:14:22.031
[SPEAKER_02]: No.

01:14:22.932 --> 01:14:23.812
[SPEAKER_02]: So a little faster then.

01:14:25.728 --> 01:14:32.812
[SPEAKER_02]: I think what I'm looking for, I need to be able to absorb and don't freak out.

01:14:34.593 --> 01:14:35.494
[SPEAKER_02]: Kind of the Sun?

01:14:36.995 --> 01:14:37.515
[SPEAKER_03]: Who is Sun?

01:14:38.916 --> 01:14:40.337
[SPEAKER_02]: You, with S. U.L.A.N.

01:14:42.398 --> 01:14:42.938
[SPEAKER_03]: The Sun.

01:14:43.639 --> 01:14:43.739
[SPEAKER_03]: Oh.

01:14:44.199 --> 01:14:45.119
[SPEAKER_02]: Don't make me spell.

01:14:47.333 --> 01:14:48.674
[SPEAKER_03]: don't make me spell it's like reading.

01:14:48.694 --> 01:14:50.435
[SPEAKER_02]: You know what, you know, I hate spelling.

01:14:51.575 --> 01:14:52.756
[SPEAKER_03]: It's like reading for you.

01:14:54.797 --> 01:14:56.838
[SPEAKER_03]: Oh, sure.

01:14:56.959 --> 01:14:57.679
[SPEAKER_03]: Yeah, sure.

01:14:57.699 --> 01:15:05.463
[SPEAKER_03]: I mean, what is the, the sun is, is it a massive chemical reaction in chemical reactions or are themselves powered exclusively by magic at the somatomic level?

01:15:05.503 --> 01:15:08.185
[SPEAKER_03]: This is pretty simple, actually.

01:15:08.225 --> 01:15:08.545
[SPEAKER_03]: Great.

01:15:09.005 --> 01:15:09.486
[SPEAKER_02]: Five minutes.

01:15:09.506 --> 01:15:13.268
[SPEAKER_02]: I also need it to be able to expel that same energy right back.

01:15:15.347 --> 01:15:19.274
[SPEAKER_03]: Okay, at least we're looking for seven.

01:15:19.374 --> 01:15:20.796
[SPEAKER_03]: I think it's pretty simple.

01:15:20.816 --> 01:15:22.739
[SPEAKER_03]: It's an iteration on the design I'm very familiar with.

01:15:22.759 --> 01:15:23.841
[SPEAKER_02]: Okay, great.

01:15:24.302 --> 01:15:27.107
[SPEAKER_02]: Well, then I'll see you in eight minutes.

01:15:28.910 --> 01:15:29.150
[SPEAKER_04]: Great.

01:15:29.330 --> 01:15:39.155
[SPEAKER_04]: I think Glint doesn't even respond to that immediately pulls like five arcano cores out of his sack and starts, starts disassembling them.

01:15:39.895 --> 01:15:54.341
[SPEAKER_04]: He's after the little, the bit of magic machinery in the middle of these arcano cores that is responsible for expelling the randomly summoned randomly generated magic from the center of these little metal balls.

01:15:55.122 --> 01:15:55.362
[SPEAKER_06]: Fiddles

01:15:58.243 --> 01:16:03.786
[SPEAKER_06]: And yeah, I think we can safely cut back now to a full arcana stick, which is what Glent has told me.

01:16:03.806 --> 01:16:15.932
[SPEAKER_06]: This is called, and she will place it back in the satchel on her hip filled up with a little bit of that tiny sun's energy as she turns her head to the staircase.

01:16:17.252 --> 01:16:22.635
[SPEAKER_03]: You just hear Glent's voice echoing in your head, the power of the sun in the palm of your head.

01:16:29.142 --> 01:16:44.452
[SPEAKER_09]: Fiddlesticks, you would know that before you is a staircase that has magical lasers barricading the passage up, you can use the macrobatic to get yourself up.

01:16:44.652 --> 01:16:51.916
[SPEAKER_09]: You also are aware because you kept track that there's at least two vampires still on that second floor somewhere.

01:16:58.772 --> 01:17:18.957
[SPEAKER_06]: can I see I can see the lasers with with with with my eyes sure yes does it look like there would be an essentially like some sort of vantage point where I could just get a little pcp who up at the top of those lasers to see what's going on maybe without like as it like a banister at the top or like a solid wall at the top of the stairs uh it's a solid wall but uh it's sort of angles up

01:17:19.725 --> 01:17:43.952
[SPEAKER_09]: um it's it's built for like a pretty tall person to walk up so you have plenty of space and with that immovable rod you could theoretically like post yourself just hanging at the end to look yeah i think i think that's going to be fiddles plan here would be um i think she's gonna try and work her way up this laser grid

01:17:45.525 --> 01:17:54.670
[SPEAKER_06]: with the immovable rod in one hand ready to sort of dangle just out of sight just so she can get an idea of where these vamps are.

01:17:56.271 --> 01:17:59.133
[SPEAKER_09]: You're going up the stairs to do this or going outside.

01:17:59.253 --> 01:18:06.317
[SPEAKER_09]: Okay, well then let's get an acrobatics check to see how well you navigate through these lasers.

01:18:06.377 --> 01:18:07.278
[SPEAKER_09]: Must've just won a roll.

01:18:09.319 --> 01:18:10.400
[SPEAKER_09]: Roll, rather.

01:18:10.420 --> 01:18:12.301
[SPEAKER_06]: Detain number one, that's a five.

01:18:13.541 --> 01:18:14.282
[SPEAKER_08]: Beautiful, that's.

01:18:15.132 --> 01:18:24.038
[SPEAKER_06]: Detain number two, that is an eight and my acrobatics is plus six, so that's a 19.

01:18:24.058 --> 01:18:29.222
[SPEAKER_09]: Do you want to describe what it looks like as you shimmer your way through these lasers?

01:18:29.382 --> 01:18:30.182
[SPEAKER_09]: Yes, I do desperately.

01:18:30.602 --> 01:18:40.549
[SPEAKER_06]: Fiddles cracks her knuckles, cracks her neck, and rotates her shoulders as she sort of like settles into a bit of a crouch.

01:18:45.603 --> 01:18:47.535
[SPEAKER_02]: Oh my god, I'm so excited right now.

01:18:48.368 --> 01:18:53.991
[SPEAKER_06]: And then she crawls her way, you know, I imagine the lasers are placed at varying heights in the angle.

01:18:54.031 --> 01:19:00.374
[SPEAKER_06]: So it's a lot of like, like tiptoe crawling, like slithering, like a snake up against the wall, high stepping.

01:19:00.814 --> 01:19:10.659
[SPEAKER_06]: I think a couple of times she would sort of do a little jump and place the removal rod in a way that she could sort of swing over a laser in order to get her legs up and over.

01:19:11.740 --> 01:19:16.222
[SPEAKER_06]: Several times she has to wiggle her hips to get her ginormous ass around.

01:19:17.022 --> 01:19:32.706
[SPEAKER_06]: Um, a laser that would otherwise, uh, not be a problem for a mortal man, but for someone such as Fiddles, she has a serious issue and I think, uh, at the very, very, sort of the, the point of the stairs where she can't see anything, so she knows she can't be seen.

01:19:33.247 --> 01:19:45.650
[SPEAKER_06]: I think she would find a clearance in the lasers right behind her to sort of jump backwards so that she's a little bit in darkness and dangle with the removal rod and do a little, like, almost a chin up.

01:19:46.479 --> 01:19:54.624
[SPEAKER_06]: just to kind of peek her head up through the darkness to see if she can get whether by site or by sound, just an idea of where these vampires are.

01:19:55.825 --> 01:19:59.427
[SPEAKER_09]: Okay, yeah, I think you have a pretty good idea.

01:20:00.287 --> 01:20:04.990
[SPEAKER_09]: One of them is staring out the window down at the courtyard.

01:20:05.110 --> 01:20:06.811
[SPEAKER_09]: His back is to the stairs.

01:20:07.251 --> 01:20:08.172
[SPEAKER_06]: Glad it didn't go that way.

01:20:09.822 --> 01:20:14.924
[SPEAKER_09]: To the left of the staircase, you see that there's a vampire who looks super bored.

01:20:15.804 --> 01:20:20.505
[SPEAKER_09]: He has like a glowing eye that's red, that keeps like kind of blinking in and out.

01:20:20.826 --> 01:20:24.847
[SPEAKER_09]: And he's looking down the balcony into the floor below.

01:20:26.051 --> 01:20:37.857
[SPEAKER_09]: You also see there's one sitting at a desk in the room that connected to where, you know, that Ramshackle and I, you mentioned, or a Donny would have mentioned that Jodie was in across.

01:20:37.897 --> 01:20:41.939
[SPEAKER_09]: There's a vampire sitting at the desk here who's just sort of bored.

01:20:43.560 --> 01:20:52.645
[SPEAKER_06]: So based on my understanding of sort of the map of this upstairs, I need to get out the steps and go double back behind me.

01:20:53.746 --> 01:20:55.047
[SPEAKER_06]: Yes, to get to this office.

01:20:55.087 --> 01:21:01.229
[SPEAKER_06]: So roughly how many vampires stand between me and that turn?

01:21:01.629 --> 01:21:03.250
[SPEAKER_06]: All theory or within sight theoretically?

01:21:03.730 --> 01:21:13.575
[SPEAKER_09]: All three are certainly within sight, but also I think you have an understanding that if you sneak like you know you can, you can get past these.

01:21:14.341 --> 01:21:15.042
[SPEAKER_06]: Okay, yeah.

01:21:15.162 --> 01:21:17.844
[SPEAKER_06]: I mean, I think she's definitely going to try that first.

01:21:18.404 --> 01:21:29.093
[SPEAKER_06]: So she would finish her ascent and get to the point where the lasers end at the top of the steps and lower herself quietly without a movable rod and place it back in her pack.

01:21:29.753 --> 01:21:37.081
[SPEAKER_06]: And then in the way she was taught to do, where she doesn't hold her breath, she slowly exhales to keep everything kind of quiet and still.

01:21:37.681 --> 01:21:47.111
[SPEAKER_06]: She would start to attempt to cut that corner around the stairs and tiptoe towards where Donnie had told her there's a study and a bedroom.

01:21:48.272 --> 01:21:49.894
[SPEAKER_09]: Okay, we're all still check.

01:21:50.494 --> 01:21:50.895
[SPEAKER_09]: Number one.

01:21:52.549 --> 01:21:53.450
[SPEAKER_09]: We've got an Aish.

01:21:54.090 --> 01:21:55.031
[SPEAKER_01]: Not a listener.

01:21:55.572 --> 01:22:03.419
[SPEAKER_01]: Gages silently in the chat, counting up the number of fear failures, and we're pretty sure that everything's going to explode.

01:22:03.439 --> 01:22:05.721
[SPEAKER_06]: Yeah, I'm going to use my inspiration now.

01:22:05.741 --> 01:22:06.341
[SPEAKER_06]: That's a four.

01:22:06.361 --> 01:22:07.842
[SPEAKER_06]: Okay.

01:22:08.163 --> 01:22:09.204
[SPEAKER_06]: So that's a plus eight.

01:22:11.065 --> 01:22:14.729
[SPEAKER_09]: You can really, a one-d-eight to add to that first dice.

01:22:15.489 --> 01:22:16.210
[SPEAKER_06]: Yeah, that's fine.

01:22:16.630 --> 01:22:19.613
[SPEAKER_06]: So that's now become a 13 on that first dice.

01:22:20.832 --> 01:22:25.253
[SPEAKER_06]: Because I just rolled a nine, so our second die will be, you rolled a nine on D8.

01:22:26.053 --> 01:22:27.913
[SPEAKER_06]: It's a D10, it's two D10s.

01:22:28.333 --> 01:22:30.194
[SPEAKER_06]: Oh, wait, I added D8 to it, you're right.

01:22:30.334 --> 01:22:31.154
[SPEAKER_06]: Sorry, let me go back.

01:22:31.834 --> 01:22:34.614
[SPEAKER_06]: We've got a five for the first one, a nine for the second one.

01:22:35.094 --> 01:22:36.095
[SPEAKER_06]: Good catch, does.

01:22:36.815 --> 01:22:38.895
[SPEAKER_06]: And then a five on the D8.

01:22:40.315 --> 01:22:44.256
[SPEAKER_06]: So that is a nine and an eight, so that was still almost a failure.

01:22:44.916 --> 01:22:50.097
[SPEAKER_06]: But it wasn't, so it's a nine on the first die and eight on the second and then my second is a plus six.

01:22:51.658 --> 01:22:52.619
[SPEAKER_09]: Yes, perfect.

01:22:52.819 --> 01:22:53.219
[SPEAKER_09]: Okay.

01:22:53.239 --> 01:22:56.741
[SPEAKER_06]: 20, what drink drink drink drink?

01:22:56.962 --> 01:23:04.467
[SPEAKER_09]: With a 23, I think you're pretty definitely able to sneak past these, these guards.

01:23:04.587 --> 01:23:15.294
[SPEAKER_09]: In fact, like I think as you pass one of the torches, the torch, like kind of dims around you using your, or lock it magic that you have now.

01:23:17.449 --> 01:23:23.198
[SPEAKER_09]: And we'll pause there, and cut to the tunnel.

01:23:23.218 --> 01:23:27.245
[SPEAKER_05]: Before the high heat comes out.

01:23:27.265 --> 01:23:27.565
[SPEAKER_05]: Okay.

01:23:28.226 --> 01:23:30.230
[SPEAKER_01]: Does everyone in this party have dark vision?

01:23:31.325 --> 01:23:31.765
[SPEAKER_05]: I do.

01:23:32.385 --> 01:23:33.746
[SPEAKER_05]: Okay, my turtle.

01:23:34.006 --> 01:23:42.888
[SPEAKER_01]: So Sue, as part of their new powers as a vampire, can gift dark vision once a long rest.

01:23:43.248 --> 01:23:46.369
[SPEAKER_01]: It's called Eyes of Night.

01:23:46.549 --> 01:23:56.352
[SPEAKER_01]: And so now that we're in this really dark space, Sue will again place a hand on a shoulder and will will some of their

01:23:58.581 --> 01:24:02.362
[SPEAKER_01]: I don't know, I don't know how this magic works and I don't think Sue really knows how this works yet.

01:24:04.502 --> 01:24:08.063
[SPEAKER_01]: But we'll share Dark Vision with Ridley.

01:24:11.443 --> 01:24:13.804
[SPEAKER_05]: Oh, thank you.

01:24:14.244 --> 01:24:15.424
[SPEAKER_01]: Can you see a little better now?

01:24:16.524 --> 01:24:18.805
[SPEAKER_05]: Yeah, is this kind of like vampire stuff?

01:24:19.685 --> 01:24:24.686
[SPEAKER_01]: I couldn't see in the dark before I was vampire and now I can and so I think so.

01:24:26.526 --> 01:24:26.886
[SPEAKER_05]: Wait.

01:24:28.627 --> 01:24:29.348
[SPEAKER_01]: You feel it now?

01:24:30.528 --> 01:24:31.549
[SPEAKER_09]: I'm not feeling it coming up.

01:24:32.710 --> 01:24:38.393
[SPEAKER_09]: The... Glent, you had light cast on a ball bearing, you can extinguish that if you wish.

01:24:40.014 --> 01:24:42.535
[SPEAKER_04]: I said that I have dark vision, then I got nervous that I don't.

01:24:42.636 --> 01:24:46.418
[SPEAKER_01]: I will so you can do it on up to four creatures, so maybe as worst I'm losing.

01:24:46.438 --> 01:24:46.718
[SPEAKER_01]: I do.

01:24:46.738 --> 01:24:48.079
[SPEAKER_04]: I have 60 feet of dark vision.

01:24:49.419 --> 01:24:52.421
[SPEAKER_04]: I'm going to... Yeah, put the ball back in my head.

01:24:52.441 --> 01:24:54.402
[SPEAKER_01]: Well, so you actually can see up to 300 feet?

01:24:56.712 --> 01:24:57.392
[SPEAKER_01]: as a vampire?

01:24:57.913 --> 01:24:58.093
[SPEAKER_01]: Oh.

01:24:58.353 --> 01:24:59.213
[SPEAKER_01]: And so... Wow.

01:24:59.473 --> 01:25:02.995
[SPEAKER_01]: I think we'll... Can you just see where the element was?

01:25:03.015 --> 01:25:18.502
[SPEAKER_09]: Ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah,

01:25:22.592 --> 01:25:30.100
[SPEAKER_09]: There is a lake in the middle and you can see where the moonlight is shining from above in a hole in the cavern.

01:25:32.262 --> 01:25:32.843
[SPEAKER_09]: There are

01:25:34.427 --> 01:25:58.635
[SPEAKER_09]: metal scraps and pieces of I think what you would identify is war forged all over this room like war forged heads and arms and other body parts just scattered around the room and there is a single oil swarne just sort of sitting by the edge of this pond Gagem curious if Riddney could kind of tell like what we are under

01:26:00.627 --> 01:26:12.470
[SPEAKER_09]: Um, I think you would be able to tell that this, um, the tunnel wound a little bit under the river and, uh, you're not directly under the house at this point.

01:26:13.310 --> 01:26:13.470
[SPEAKER_05]: Okay.

01:26:13.490 --> 01:26:14.771
[SPEAKER_05]: So this isn't like the well.

01:26:15.231 --> 01:26:15.691
[SPEAKER_09]: Correct.

01:26:15.731 --> 01:26:15.971
[SPEAKER_05]: Yeah.

01:26:19.232 --> 01:26:20.872
[SPEAKER_05]: Would the gets ready to throw a trident?

01:26:26.554 --> 01:26:28.575
[SPEAKER_04]: Um, uh, just this one guy down here.

01:26:28.595 --> 01:26:28.755
[SPEAKER_04]: Yeah.

01:26:29.315 --> 01:26:29.935
[SPEAKER_04]: That you can see.

01:26:34.658 --> 01:26:35.899
[SPEAKER_01]: And we used to be to walk awhile, right?

01:26:35.919 --> 01:26:37.320
[SPEAKER_01]: So we feel like we're pretty isolated.

01:26:39.262 --> 01:26:40.483
[SPEAKER_09]: Yeah, I think so.

01:26:40.703 --> 01:26:41.844
[SPEAKER_09]: Like, you have a good idea.

01:26:41.864 --> 01:26:45.126
[SPEAKER_09]: Nobody's following you and yeah.

01:26:46.007 --> 01:27:01.559
[SPEAKER_01]: So we'll wave everybody back around the corner a little bit and make some hand motions on like a little snoozey snoozey or a little like slice and point at Ridley and point at Sue and like do the, I don't know, motion.

01:27:04.985 --> 01:27:05.965
[SPEAKER_04]: Sleepy or keel.

01:27:06.525 --> 01:27:11.126
[SPEAKER_04]: I think, um, Glitz can't abandon my sleep to Sue.

01:27:12.806 --> 01:27:13.687
[SPEAKER_01]: Ridley, thumbs up?

01:27:15.047 --> 01:27:16.067
[SPEAKER_05]: He gets some little sad.

01:27:19.768 --> 01:27:20.008
[SPEAKER_05]: Yes.

01:27:20.948 --> 01:27:22.568
[SPEAKER_01]: All right, Sue will cast sleep again.

01:27:22.588 --> 01:27:24.249
[SPEAKER_01]: I did realize we did roll it wrong.

01:27:24.329 --> 01:27:25.669
[SPEAKER_01]: It is at base 5D.

01:27:25.869 --> 01:27:26.369
[SPEAKER_01]: 5D, yeah.

01:27:26.489 --> 01:27:27.389
[SPEAKER_09]: Yeah.

01:27:27.429 --> 01:27:29.550
[SPEAKER_09]: So a very second level should be pretty safe.

01:27:29.930 --> 01:27:30.230
[SPEAKER_01]: Love it.

01:27:31.330 --> 01:27:31.890
[SPEAKER_09]: Melatonin.

01:27:32.269 --> 01:27:34.451
[SPEAKER_01]: Melatonin, so that would be 5, 6, 7, 8, right?

01:27:34.471 --> 01:27:34.691
[SPEAKER_01]: Mm-hmm.

01:27:34.711 --> 01:27:36.673
[SPEAKER_01]: And we don't think he has a good, a tale to tell.

01:27:36.693 --> 01:27:52.066
[SPEAKER_05]: Ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha,

01:27:54.668 --> 01:28:15.096
[SPEAKER_09]: You see the effects of someone who as previous already somewhat sleepy as he just like slumps forward and is sleeping like where he was standing he like sits and puts his feet in the water and just kind of leans forward and is this power?

01:28:15.156 --> 01:28:18.657
[SPEAKER_04]: Is this magical sleep like how difficult is it to wake someone from this magical sleep?

01:28:18.717 --> 01:28:19.897
[SPEAKER_04]: If you hit them they wake up.

01:28:20.958 --> 01:28:21.978
[SPEAKER_04]: Okay, uh,

01:28:23.087 --> 01:28:25.108
[SPEAKER_04]: We don't know if there's more guys around the corner, right?

01:28:25.708 --> 01:28:26.788
[SPEAKER_04]: You do not know that.

01:28:29.969 --> 01:28:32.130
[SPEAKER_05]: When their friend goes to sleep, do we hear anything?

01:28:32.470 --> 01:28:34.691
[SPEAKER_04]: Then like, hey, Jerry, wake up!

01:28:35.311 --> 01:28:36.311
[SPEAKER_04]: Why don't you try to get me?

01:28:36.891 --> 01:28:37.892
[SPEAKER_04]: Rich, you're not here.

01:28:38.292 --> 01:28:39.272
[SPEAKER_04]: Anything of the sort.

01:28:41.713 --> 01:28:47.594
[SPEAKER_01]: Kage, I hate to out myself on this, but I did just read the very last line on sleep and it says the undead are not affected.

01:28:47.795 --> 01:28:49.115
[SPEAKER_01]: Are we pretending that they're still fine?

01:28:50.198 --> 01:28:53.059
[SPEAKER_09]: I think because they're cybernetic, this will work on them.

01:28:53.739 --> 01:28:55.479
[SPEAKER_09]: I would have rolled that even if I did that.

01:28:55.639 --> 01:29:00.400
[SPEAKER_09]: And for the, for the same reason, the Davy can faint, they can fall asleep.

01:29:00.781 --> 01:29:01.081
[SPEAKER_01]: Love it.

01:29:01.201 --> 01:29:01.421
[SPEAKER_01]: Great.

01:29:01.441 --> 01:29:01.761
[SPEAKER_01]: Thank you.

01:29:01.881 --> 01:29:02.081
[SPEAKER_01]: Okay.

01:29:04.581 --> 01:29:05.342
[SPEAKER_08]: Oh, Davy's a vampire.

01:29:08.022 --> 01:29:19.465
[SPEAKER_04]: Glint, Glint is trying to pantomime three words to, he's like three words to, to, to, to, to, to, to, to, to, to, to, to, to, to, to, to, to, to, to, to, to, to, to, to, to, to, to, to, to, to, to, to, to, to, to, to, to, to, to, to, to, to, to, to, to, to, to, to, to, to, to, to, to, to, to, to, to, to, to, to, to, to, to, to

01:29:21.501 --> 01:29:23.802
[SPEAKER_04]: And he glints his thumbs up and then it's three more words.

01:29:24.182 --> 01:29:31.586
[SPEAKER_04]: He's trying to pantomime the words harmless sensory effect because he can make a noise on the surface of the water to see if there's other folks down here.

01:29:31.786 --> 01:29:33.467
[SPEAKER_04]: If they're like, oh, whoa, what was that?

01:29:33.547 --> 01:29:34.368
[SPEAKER_04]: Must have been the wind.

01:29:34.428 --> 01:29:36.669
[SPEAKER_04]: Like in this ass and Creed game.

01:29:37.570 --> 01:29:43.913
[SPEAKER_04]: We can do this, or we can continue to explore knowing that we're pretty strong of interest and can hurt anybody who comes around that order.

01:29:44.013 --> 01:29:44.713
[SPEAKER_04]: Is it really sad?

01:29:44.733 --> 01:29:47.795
[SPEAKER_06]: It's just honored we're all the guards are like whiskey and cigars tonight.

01:29:51.505 --> 01:29:52.425
[SPEAKER_05]: must have been the wind.

01:29:52.445 --> 01:29:58.306
[SPEAKER_05]: Yeah, really says one word, and then just says out loud.

01:29:58.466 --> 01:29:58.766
[SPEAKER_05]: Yes.

01:30:03.047 --> 01:30:06.888
[SPEAKER_04]: Yeah, I'm going to just cast a little stream of wind onto the surface of this pond.

01:30:07.148 --> 01:30:07.888
[SPEAKER_04]: Right where the moon is.

01:30:07.908 --> 01:30:12.789
[SPEAKER_04]: I'm creating some ripples, a little splishy splash he sound.

01:30:13.489 --> 01:30:16.989
[SPEAKER_04]: And I imagine it echoes pretty intensely down here in this cave.

01:30:18.250 --> 01:30:18.770
[SPEAKER_09]: It does.

01:30:21.856 --> 01:30:27.237
[SPEAKER_09]: do not hear any other voices or no one comes to investigate after a moment.

01:30:27.277 --> 01:30:29.917
[SPEAKER_09]: I will say like, I don't know, like 12 seconds have passed.

01:30:30.778 --> 01:30:31.338
[SPEAKER_09]: As you wait.

01:30:32.658 --> 01:30:34.558
[SPEAKER_01]: Do we see an exit from this room?

01:30:36.379 --> 01:30:38.259
[SPEAKER_09]: You know that you can't see around the corner.

01:30:38.599 --> 01:30:40.879
[SPEAKER_09]: So, yeah, everything else is a circle.

01:30:41.940 --> 01:30:44.180
[SPEAKER_05]: I think I think where these were due to go into the room.

01:30:44.740 --> 01:30:44.920
[SPEAKER_05]: Yeah.

01:30:45.600 --> 01:30:45.800
[SPEAKER_05]: Sure.

01:30:46.020 --> 01:30:46.300
[SPEAKER_09]: Okay.

01:30:46.960 --> 01:30:47.921
[SPEAKER_05]: As you go into the room,

01:30:51.145 --> 01:30:51.785
[SPEAKER_05]: for dragon.

01:30:51.946 --> 01:30:52.326
[SPEAKER_09]: Another.

01:30:53.146 --> 01:30:58.110
[SPEAKER_09]: There's another exit to your like, it kind of lines around.

01:30:58.410 --> 01:31:10.658
[SPEAKER_09]: And you can see an exit through this way, where there is what were once roots of trees have sort of been magically formed to create an opening, and on the other side of the opening is a door.

01:31:12.819 --> 01:31:14.020
[SPEAKER_09]: Let's go.

01:31:14.080 --> 01:31:15.541
[SPEAKER_05]: Ridley would like to inspect the water.

01:31:15.841 --> 01:31:16.682
[SPEAKER_05]: See if there's anything in there.

01:31:21.175 --> 01:31:21.995
[SPEAKER_05]: I can't see my number.

01:31:22.135 --> 01:31:22.835
[SPEAKER_09]: Let's get to me.

01:31:22.875 --> 01:31:24.876
[SPEAKER_09]: Let's get two detents.

01:31:25.916 --> 01:31:26.897
[SPEAKER_05]: Oh, we're doing the thing.

01:31:29.157 --> 01:31:30.718
[SPEAKER_05]: We're playing your made-up game game.

01:31:30.898 --> 01:31:33.578
[SPEAKER_06]: There's a really good role, unfortunately.

01:31:33.898 --> 01:31:35.599
[SPEAKER_05]: Matt Mercer is my best game.

01:31:35.659 --> 01:31:36.779
[SPEAKER_05]: This is a bummer.

01:31:36.799 --> 01:31:37.319
[SPEAKER_05]: One Hydro.

01:31:37.339 --> 01:31:38.059
[SPEAKER_05]: Just a great one actually.

01:31:38.099 --> 01:31:38.320
[SPEAKER_05]: Nine.

01:31:38.840 --> 01:31:40.960
[SPEAKER_05]: Two Oxen.

01:31:41.120 --> 01:31:41.240
[SPEAKER_09]: Oh.

01:31:42.261 --> 01:31:42.601
[SPEAKER_09]: Nice.

01:31:42.741 --> 01:31:43.121
[SPEAKER_09]: Quit.

01:31:43.141 --> 01:31:43.861
[SPEAKER_09]: That's a shidical.

01:31:45.482 --> 01:31:52.564
[SPEAKER_09]: Okay, with a crit, same score, by the way, with this is also an 18, plus your modified, which is zero.

01:31:56.345 --> 01:32:04.226
[SPEAKER_09]: When you go to look into the lake or to this pond, you see four large tentacles.

01:32:07.272 --> 01:32:15.137
[SPEAKER_09]: And, Ridley, you would identify this as something that tortiles tell their young when they're kids, what to be afraid of.

01:32:18.179 --> 01:32:18.780
[SPEAKER_09]: Long ago.

01:32:18.800 --> 01:32:19.180
[SPEAKER_09]: Sorry.

01:32:20.921 --> 01:32:32.509
[SPEAKER_09]: Long ago, in this world, in an every world, there were creatures that ruled the seas with their minds known as Abeleths.

01:32:34.905 --> 01:32:39.428
[SPEAKER_09]: At the bottom of this pond is a sleeping avalanche.

01:32:45.331 --> 01:32:53.395
[SPEAKER_09]: This is a pretty dangerous creature that lies sleeping just under the dirt of this pond.

01:32:57.158 --> 01:33:01.480
[SPEAKER_05]: Does really know if they can jump really high?

01:33:04.107 --> 01:33:06.268
[SPEAKER_05]: Like, up to ground level, they can leave the water.

01:33:09.368 --> 01:33:09.648
[SPEAKER_09]: Cool.

01:33:09.909 --> 01:33:10.729
[SPEAKER_06]: That's pretty upsetting.

01:33:11.969 --> 01:33:12.149
[SPEAKER_09]: Yep.

01:33:12.789 --> 01:33:13.950
[SPEAKER_01]: How do I spell this?

01:33:14.830 --> 01:33:21.732
[SPEAKER_06]: ABO-LE-T-H. Yeah, I'm looking at some Google image results here, and I'm having a bad, yeah.

01:33:21.792 --> 01:33:22.612
[SPEAKER_06]: No, this is a bad one.

01:33:23.112 --> 01:33:26.613
[SPEAKER_01]: If you split, you split the E in the O, you get something very different.

01:33:27.493 --> 01:33:28.193
[SPEAKER_09]: Abel off.

01:33:29.354 --> 01:33:30.354
[SPEAKER_01]: Apparently, it's from Star Wars.

01:33:31.358 --> 01:33:31.718
[SPEAKER_09]: Okay.

01:33:32.699 --> 01:33:34.220
[SPEAKER_09]: This looks like it could be for some time.

01:33:34.240 --> 01:33:36.342
[SPEAKER_09]: It's on the pawnship.

01:33:37.443 --> 01:33:40.505
[SPEAKER_01]: No, it's like a creepy girl with like a Joker smile.

01:33:40.545 --> 01:33:42.146
[SPEAKER_04]: Oh, her smile is bad.

01:33:42.206 --> 01:33:44.167
[SPEAKER_01]: It's really, really uncomfortable.

01:33:44.708 --> 01:33:45.849
[SPEAKER_04]: I don't like these guys.

01:33:45.969 --> 01:33:52.133
[SPEAKER_04]: One big good thing I blew a bunch of wind on his roof.

01:33:52.814 --> 01:33:53.054
[SPEAKER_05]: Okay.

01:33:54.678 --> 01:33:55.899
[SPEAKER_05]: Well, we don't want to mess with that, right?

01:33:56.179 --> 01:33:57.140
[SPEAKER_03]: Mm-hmm.

01:33:57.260 --> 01:33:58.281
[SPEAKER_03]: Mm-hmm.

01:33:58.881 --> 01:34:02.344
[SPEAKER_05]: Let's see if we can get it to follow us and then take over the manner.

01:34:03.065 --> 01:34:03.205
[UNKNOWN]: Ugh.

01:34:06.167 --> 01:34:06.407
[SPEAKER_05]: Okay.

01:34:07.468 --> 01:34:08.649
[SPEAKER_05]: Want to feed our vampire friend?

01:34:08.829 --> 01:34:09.530
[SPEAKER_05]: Let's call that plan.

01:34:09.550 --> 01:34:10.070
[SPEAKER_05]: Let's see.

01:34:11.631 --> 01:34:12.652
[SPEAKER_05]: I just don't want to wake him up.

01:34:13.052 --> 01:34:13.273
[SPEAKER_05]: Okay.

01:34:13.333 --> 01:34:14.794
[SPEAKER_05]: Do you guys want to do anything?

01:34:14.834 --> 01:34:15.574
[SPEAKER_01]: I'm ready to go.

01:34:15.675 --> 01:34:16.695
[SPEAKER_01]: We only have 60 seconds.

01:34:18.737 --> 01:34:19.357
[SPEAKER_05]: We got a roll.

01:34:20.158 --> 01:34:21.839
[SPEAKER_05]: I was just looking at a pond.

01:34:21.859 --> 01:34:22.540
[SPEAKER_05]: Okay, let's go.

01:34:24.070 --> 01:34:24.910
[SPEAKER_05]: I'm glad you looked.

01:34:25.891 --> 01:34:28.512
[SPEAKER_05]: Ridley's gonna check all these little flames, is it the elemental?

01:34:29.112 --> 01:34:29.992
[SPEAKER_05]: No, it's not.

01:34:30.012 --> 01:34:31.112
[SPEAKER_05]: They're all little flames.

01:34:31.753 --> 01:34:32.953
[SPEAKER_01]: Does our elemental have a name?

01:34:35.554 --> 01:34:35.754
[SPEAKER_04]: Nope.

01:34:36.894 --> 01:34:37.875
[SPEAKER_04]: No, it's not.

01:34:38.375 --> 01:34:39.895
[SPEAKER_04]: Twenty-fourths.

01:34:39.975 --> 01:34:41.916
[SPEAKER_04]: We had the other guys over throw quite.

01:34:41.936 --> 01:34:42.936
[SPEAKER_04]: Yeah, yeah, yeah.

01:34:43.016 --> 01:34:44.557
[SPEAKER_01]: How do you remember that?

01:34:45.235 --> 01:34:46.397
[SPEAKER_04]: It's still trapped in the inner area.

01:34:46.617 --> 01:34:49.281
[SPEAKER_09]: It is cloth as the elemental, it might be.

01:34:49.762 --> 01:34:50.423
[SPEAKER_09]: I think it is.

01:34:50.723 --> 01:34:55.730
[SPEAKER_06]: For what it's worth, I also thought that a big pond would be a perfect prison for a fire elemental.

01:34:55.971 --> 01:34:57.473
[SPEAKER_06]: If that's where you were going with them.

01:34:58.034 --> 01:35:00.297
[SPEAKER_06]: Yeah, I considered it.

01:35:00.357 --> 01:35:00.577
[SPEAKER_06]: Do.

01:35:03.034 --> 01:35:05.295
[SPEAKER_05]: Oh, just an avalanth.

01:35:05.595 --> 01:35:06.875
[SPEAKER_04]: What is this stuff over here?

01:35:06.995 --> 01:35:07.575
[SPEAKER_04]: Can I see it?

01:35:07.855 --> 01:35:08.855
[SPEAKER_04]: What are you pointing at?

01:35:09.295 --> 01:35:11.056
[SPEAKER_04]: To the right, to the right of the squid.

01:35:11.076 --> 01:35:11.476
[SPEAKER_04]: This stuff?

01:35:12.436 --> 01:35:12.596
[SPEAKER_04]: Yeah.

01:35:12.636 --> 01:35:15.417
[SPEAKER_09]: This is the closest I could get to, scraps of metal.

01:35:16.317 --> 01:35:16.597
[SPEAKER_03]: No.

01:35:17.477 --> 01:35:19.238
[SPEAKER_03]: There's only some scraps of metal over there.

01:35:19.258 --> 01:35:20.258
[SPEAKER_03]: The stuff that is from the squid.

01:35:20.358 --> 01:35:20.878
[SPEAKER_05]: It's from the squid.

01:35:21.818 --> 01:35:22.938
[SPEAKER_05]: It's the way the war forged.

01:35:23.078 --> 01:35:26.819
[SPEAKER_05]: Wait, can you look in the pond real quick?

01:35:26.859 --> 01:35:27.779
[SPEAKER_05]: 30 seconds of past.

01:35:28.580 --> 01:35:29.340
[SPEAKER_05]: Do you see what I see?

01:35:29.360 --> 01:35:30.360
[SPEAKER_05]: What are you seeing there?

01:35:31.270 --> 01:35:33.192
[SPEAKER_04]: how far, how deep is the pond?

01:35:33.212 --> 01:35:34.353
[SPEAKER_04]: I have dark vision, 60 feet.

01:35:34.593 --> 01:35:35.854
[SPEAKER_09]: It's pretty, 22.

01:35:35.895 --> 01:35:37.776
[SPEAKER_09]: Oh, so you gave it to you?

01:35:37.876 --> 01:35:39.738
[SPEAKER_09]: Yeah, it's like 120 feet down there.

01:35:40.139 --> 01:35:41.780
[SPEAKER_05]: Does he, does he see the same thing?

01:35:42.020 --> 01:35:42.561
[SPEAKER_05]: The abolition?

01:35:42.581 --> 01:35:42.861
[SPEAKER_09]: Oh, yeah.

01:35:42.981 --> 01:35:44.843
[SPEAKER_09]: I mean, like, he would identify it as that.

01:35:44.863 --> 01:35:46.024
[SPEAKER_09]: I don't think I wouldn't know about that.

01:35:46.064 --> 01:35:47.085
[SPEAKER_09]: But you for sure would.

01:35:47.866 --> 01:35:49.488
[SPEAKER_05]: As we were walking on, so it's the not waste time.

01:35:49.508 --> 01:35:54.693
[SPEAKER_05]: I was like, I was wondering if it was a pond that it like shows your greatest fierce, because that's actually pretty much up there for me.

01:35:56.583 --> 01:35:59.404
[SPEAKER_05]: And maybe it was going to show you that door from earlier.

01:35:59.484 --> 01:36:00.004
[SPEAKER_05]: TV.

01:36:01.665 --> 01:36:09.067
[SPEAKER_03]: Yeah, I saw the police taking my diploma away.

01:36:10.328 --> 01:36:11.748
[SPEAKER_03]: The library on fire.

01:36:13.669 --> 01:36:15.630
[SPEAKER_03]: The library of Alexandria, Pernia.

01:36:17.210 --> 01:36:18.771
[SPEAKER_09]: Yeah.

01:36:18.791 --> 01:36:19.711
[SPEAKER_01]: What's up with these roots?

01:36:20.911 --> 01:36:25.193
[SPEAKER_09]: They open just, they're like a frame for this door in front of you.

01:36:26.947 --> 01:36:28.509
[SPEAKER_04]: Is this a regular door or a horny door?

01:36:28.529 --> 01:36:30.010
[SPEAKER_09]: It's a regular door, but it could be.

01:36:30.030 --> 01:36:30.691
[SPEAKER_09]: Thank God.

01:36:31.612 --> 01:36:33.113
[SPEAKER_01]: I'll be your mask.

01:36:33.394 --> 01:36:34.154
[SPEAKER_01]: You just gotta make it.

01:36:34.275 --> 01:36:38.739
[SPEAKER_09]: If you stroke the right key, I guess the right knob was right there.

01:36:42.443 --> 01:36:43.103
[SPEAKER_09]: You open the door?

01:36:44.885 --> 01:36:46.867
[SPEAKER_04]: I ask it's permission first and then I open the door.

01:36:47.727 --> 01:36:59.393
[SPEAKER_09]: In this room is four people, three of which are asleep and chained to the floor, and one of which is Crant.

01:37:00.274 --> 01:37:02.255
[SPEAKER_09]: Ah, Crant.

01:37:02.515 --> 01:37:02.855
[SPEAKER_09]: What?

01:37:06.917 --> 01:37:08.838
[SPEAKER_09]: Um, Donnie, what the heck are you doing, Anne?

01:37:08.938 --> 01:37:11.780
[SPEAKER_09]: You're, you're still under water?

01:37:11.800 --> 01:37:14.261
[SPEAKER_07]: No, no, no, no, he's come out and he's like, um,

01:37:16.320 --> 01:37:21.184
[SPEAKER_07]: I'm so sorry, it's, you know, it kind of get the brand fog, the fog of war.

01:37:23.325 --> 01:37:26.207
[SPEAKER_07]: But I'm ready for my snack.

01:37:26.287 --> 01:37:28.629
[SPEAKER_07]: Now there would be great.

01:37:29.169 --> 01:37:30.390
[SPEAKER_09]: I just go back to the barn.

01:37:32.612 --> 01:37:33.292
[SPEAKER_09]: You'll see our pal.

01:37:35.935 --> 01:37:47.018
[SPEAKER_09]: Uh, Matt in there, uh, that's sort of the chef around here for us, um, we got to give back to our positions, or the boss is going to kill us.

01:37:47.638 --> 01:37:48.078
[SPEAKER_08]: I get it.

01:37:48.558 --> 01:37:50.398
[SPEAKER_08]: You know, I get it.

01:37:50.618 --> 01:38:00.280
[SPEAKER_08]: He said it's like walking to the, to the barn, uh, okay, you're able to get to the barn.

01:38:00.300 --> 01:38:01.601
[SPEAKER_09]: They're not supervising you.

01:38:01.741 --> 01:38:02.521
[SPEAKER_09]: Like, ooh.

01:38:03.023 --> 01:38:05.785
[SPEAKER_09]: I think they have fully determined that you're just an idiot.

01:38:06.345 --> 01:38:06.665
[SPEAKER_09]: And...

01:38:06.685 --> 01:38:06.845
[SPEAKER_09]: Right.

01:38:08.967 --> 01:38:10.027
[SPEAKER_07]: All according to plan.

01:38:10.367 --> 01:38:11.128
[SPEAKER_09]: Where are you going?

01:38:11.208 --> 01:38:14.390
[SPEAKER_09]: Like, you can kind of start to walk over there and decide not to.

01:38:14.950 --> 01:38:15.811
[SPEAKER_09]: What's your plan here?

01:38:16.411 --> 01:38:16.691
[SPEAKER_08]: Let's...

01:38:16.971 --> 01:38:20.513
[SPEAKER_08]: So, Donnie never... Never looked in the turret, right?

01:38:21.674 --> 01:38:22.675
[SPEAKER_09]: No, I mean, you did.

01:38:22.835 --> 01:38:26.137
[SPEAKER_09]: And you saw that it was just like... Just a bit.

01:38:26.557 --> 01:38:28.038
[SPEAKER_09]: Yeah, basically a study.

01:38:31.677 --> 01:38:40.199
[SPEAKER_08]: I think he debates going into the tunnel, but he wants to be close to wherever fiddles might be.

01:38:40.619 --> 01:38:45.740
[SPEAKER_08]: So, I think he's going to, oh no.

01:38:45.780 --> 01:38:53.682
[SPEAKER_08]: Not interested in the barn, maybe start like walking back through the courtyard to go into the main room.

01:38:56.702 --> 01:38:58.863
[SPEAKER_09]: The one that you just activated the sunlight in,

01:39:00.318 --> 01:39:00.758
[SPEAKER_09]: That was on this.

01:39:01.819 --> 01:39:05.680
[SPEAKER_08]: Oh, yeah, that's... Nope.

01:39:05.700 --> 01:39:06.000
[SPEAKER_08]: Maybe not.

01:39:06.561 --> 01:39:08.521
[SPEAKER_01]: What if this snack is someone important?

01:39:09.622 --> 01:39:10.482
[SPEAKER_01]: And you must save them?

01:39:11.443 --> 01:39:11.703
[SPEAKER_08]: Hmm.

01:39:12.123 --> 01:39:12.283
[SPEAKER_08]: Cool.

01:39:12.303 --> 01:39:13.684
[SPEAKER_08]: Who got it at the barn?

01:39:14.324 --> 01:39:15.965
[SPEAKER_09]: Pfff.

01:39:15.985 --> 01:39:17.845
[SPEAKER_09]: Okay, you make your way to the barn.

01:39:18.546 --> 01:39:19.466
[SPEAKER_08]: Just the way you said it.

01:39:19.726 --> 01:39:21.627
[SPEAKER_08]: We didn't too much in the way you saved things, okay?

01:39:21.647 --> 01:39:23.148
[SPEAKER_08]: You're like, do you want to do that?

01:39:23.168 --> 01:39:23.728
[SPEAKER_08]: Yeah.

01:39:25.048 --> 01:39:26.389
[SPEAKER_09]: Oh, something at home or something?

01:39:27.912 --> 01:39:49.626
[SPEAKER_09]: When you walk into to the room that you've previously been in, where the vampire is sort of draining blood and filling these jars full of blood, you see that there are these two people here who are almost no energy, just like, leaning down and the vampire who's like busy filling

01:39:54.945 --> 01:39:56.746
[SPEAKER_07]: Yes, I was, are you mad?

01:39:57.706 --> 01:39:58.347
[SPEAKER_07]: Yeah, mad.

01:39:59.307 --> 01:40:00.028
[SPEAKER_09]: That just makes you mad.

01:40:00.488 --> 01:40:03.589
[SPEAKER_09]: And he'll go, like, to give you knuckles and he has, like, a cybernetic fist.

01:40:04.270 --> 01:40:12.214
[SPEAKER_09]: And unlike the backside of his fist, that's sort of in where his form would be as a little blade, a very thin bond.

01:40:13.034 --> 01:40:15.735
[SPEAKER_08]: That's cool.

01:40:15.775 --> 01:40:19.257
[SPEAKER_08]: Johnny, you know, fist bumps, and he's like,

01:40:24.078 --> 01:40:24.739
[SPEAKER_07]: It was knack.

01:40:26.080 --> 01:40:32.625
[SPEAKER_09]: So, oh yeah, okay, well, they sent you here then he must have done something pretty interesting.

01:40:32.766 --> 01:40:39.031
[SPEAKER_09]: And he goes to one of the shelves and it's like, he turns his back towards you and is like, combing through the different jars.

01:40:45.377 --> 01:40:49.380
[SPEAKER_09]: I, if you want to do something else back is turned this is your chance.

01:40:50.801 --> 01:40:51.362
[SPEAKER_08]: I mean, I would,

01:40:52.917 --> 01:40:55.798
[SPEAKER_08]: Investigate who these people are, like if he knows them at all.

01:40:56.479 --> 01:40:57.219
[SPEAKER_09]: You don't need to roll for it.

01:40:57.259 --> 01:40:58.260
[SPEAKER_09]: You do not know these people.

01:40:58.300 --> 01:40:59.720
[SPEAKER_09]: They're great peasants.

01:40:59.740 --> 01:41:00.441
[SPEAKER_09]: They just picked up.

01:41:00.481 --> 01:41:00.701
[SPEAKER_09]: Yeah.

01:41:00.961 --> 01:41:01.441
[SPEAKER_08]: I was wrong.

01:41:01.501 --> 01:41:03.262
[SPEAKER_08]: It hasn't been drained a little.

01:41:03.702 --> 01:41:04.783
[SPEAKER_09]: Yep.

01:41:05.543 --> 01:41:08.665
[SPEAKER_09]: He pulls down a join is like, this is from one of the councilmen.

01:41:09.005 --> 01:41:10.866
[SPEAKER_09]: So not like yourself out.

01:41:11.746 --> 01:41:12.126
[SPEAKER_09]: I love it.

01:41:13.127 --> 01:41:14.587
[SPEAKER_07]: Thank you very much.

01:41:16.588 --> 01:41:17.949
[SPEAKER_09]: Yeah, don't drink it too fast.

01:41:19.450 --> 01:41:19.650
[SPEAKER_08]: Right?

01:41:23.140 --> 01:41:38.892
[SPEAKER_08]: Thanks, so, just gonna poke, like, takes the cork off a little bit, and he's like, now that I've asked you something, I'm quite famished.

01:41:39.913 --> 01:41:41.294
[SPEAKER_07]: I need to have something right now.

01:41:42.014 --> 01:41:45.677
[SPEAKER_07]: It's really hard for me to have people watch me eat.

01:41:46.097 --> 01:41:52.242
[SPEAKER_07]: Is there any way you could, like, cut around the room, tend to the horses or something?

01:41:53.504 --> 01:41:55.820
[SPEAKER_09]: Uh, why don't you just go outside?